| Mayday! Mayday! Is the cry of someone in distress. Your character should always be in distress. Loss is the biggest driver of distress. Whenever a character is disappointed, rejected, humiliated or spurned (or has a set-back of any kind), he or she experiences a loss. |
| This could be a loss of self-esteem, pride, self-confidence, or hope for the future. It could be the loss of a love interest, an opportunity, a job, or a friendship. |
| The question is, how does experiencing this loss reveal character? Is the character experiencing the full range of emotion? How does the character’s reaction provide plot and story opportunities? |
| The loss and grief cycle includes these steps: |
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Shock: Paralysis “I can’t believe this is happening.” How do we see the character in shock? What does he or she do?
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| Depression: Realization “There is no way out.” “This is really happening.”How do we see the character come to grips with the reality of the situation? What does the character do? |
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Testing: New Reality “Maybe I can survive this if I…” “Maybe I still could…”What if I do this next?”How does the character test or try on new ways of being, acting or thinking? How does the character make the best of the situation, as bad as it is?
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| Show the character moving through the whole process of grief and anger. Create plot points that incorporate each step. Allow your character to fully experience and act on each step. Create action (not just dialog) that reveals the character’s inner depths. |
| Learn more about how to evaluate stories here |
Loss and Grief Cycle
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Create a visual map for a character’s emotional journey. Pull stories from character rather from rote story structure beats. Some of the largest international media companies, use this in story and character development.
A clear concise guide for writers and producers to have by their side as they embark on a project. It gives a really vital reminder of what is key for story success.