Skip to content

Anthems for Power of Truth

Types Tuesday

It’s Power of Truth month, where for the next few weeks my content will revolve around the paranoid, the detectives and the conspiracy theorists. As i continue to work on my Power of Truth eBook, I like to listen to some tunes like these to get me into the mind of Power of Truth characters…

We’re caught in a trap
I can’t walk out
Because I love you too much, baby
Why can’t you see
What you’re doing to me
When you don’t believe a word I say?
We can’t go on together
With suspicious minds (suspicious minds)
And we can’t build our dreams
On suspicious minds
So, if an old friend I know
Stops by to say hello
Would I still see suspicion in your eyes?
Here we go again
Asking where I’ve been
You can’t see the tears are real
I’m crying (Yes, I’m crying)
We can’t go on together
With suspicious minds (suspicious minds)
And we can’t build our dreams
On suspicious minds
Oh, let our love survive
Or dry the tears from your eyes
Let’s don’t let a good thing die
When, honey, you know
I’ve never lied to you
Mmm, yeah, yeah
We’re caught in a trap
I can’t walk out
Because I love you too much, baby
Why can’t you see
What you’re doing to me
When you don’t believe a word I say?
Don’t you know I’m caught in a trap
I can’t walk out
Because I love you too much, baby
Don’t you know I’m caught in a trap
I can’t walk out
Because I love you too much, baby
Mondays is for drinking to the seldom seen kid
I’ve been working on a cocktail called grounds for divorce
Polishing a compass that I hold in my sleeve
Down comes him on sticks but then he kicks like a horse
There’s a tiny cigarette case
And the rest you can keep
And the rest you can keep
And the rest you can keep
There’s a hole in my neighborhood
Down which of late I cannot help but fall
There’s a hole in my neighborhood
Down which of late I cannot help but fall
Mondays is for drinking to the seldom seen kid
There’s this whispering of jokers doing flesh by the pound
To a chorus of supposes from the little town whores
There’ll be twisted karaoke at the Aniseed Lounge
And I’ll bring you further roses
But it does you no good
And it does me no good
And it does you no good
There’s a hole in my neighborhood
Down which of late I cannot help but fall
There’s a hole in my neighborhood
Down which of late I cannot help but fall
There’s a hole in my neighborhood
Down which of late I cannot help but fall
Someday we’ll be drinking with the seldom seen kid

Better run for cover
You’re a hurricane full of lies
And the way you’re heading
No one’s getting out alive

So do us all a favor
Would you find somebody else to blame
‘Cause your words are like bullets and I’m the way your weapons aim

I guess I could fill a book with things that I don’t know about you baby
You’re not misunderstood but you got
You got to go

(Lies)
Living in a fantasy
(Lies)
Don’t even know reality
(Lies)
When you start talking I start walking
(Lies)
Lies, lies, lies

Don’t even wanna know the truth
(Lies)
The devil has his eye on you girl
(Lies)
When you start talking I start walking
(Lies)
Lies, lies, lies

So don’t forget your seatbelt
Don’t you think of picking up the phone
Better say your prayers ’cause you’re never gonna make it home

Did you miss the stop sign
That last decision was your last
‘Cause you can’t come back once you’re lying in the broken glass

And I hope you get to hear me say, “Who gets the last laugh now”

No more excuses
No more running
Only God can save you now
(God can save you now)
‘Cause I know the truth
Time is running out

And I’m just one drink away
And I’m back in Wonderland like it was yesterday
And I hope you get to hear me say, “Who gets the last”
“Who gets the last”
“Who gets the last laugh now”

No comment yet, add your voice below!


Add a Comment

Your email address will not be published. Required fields are marked *


Write your screenplay in one hour a day. Laurie breaks down the screenwriting process into clear daily steps. Based on Laurie’s acclaimed UCLA Masters in Screenwriting course. VIEW IN SHOP

Create a visual map for a character’s emotional journey. Pull stories from character rather from rote story structure beats. Some of the largest international media companies, use this in story and character development.

VIEW IN SHOP

A clear concise guide for writers and producers to have by their side as they embark on a project. It gives a really vital reminder of what is key for story success.

VIEW IN SHOP