The answer to this these questions provides a critical overview of the story. If they aren’t answered clearly then it doesn’t matter how good the individual scenes might be. The story won’t add up to much or hold together properly.

The following is an excerpt from my book How to Evaluate Stories available on Amazon

What Does the Character Want?

What the main character wants is a clear and simple ego-driven goal. It is something that directly benefits the main character that he or she can physically have or obtain. It is concrete. It is specific. It is the finite object of the character’s personal desire. For example: Win the championship trophy, get the promotion, pay the rent, solve the crime, buy the fancy car, steal the jewel, get the girl (or guy), etc. To obtain the want, the character must abandon the need.

What Does the Character Need?

What the character needs is an inner ache or yearning that the character is unaware of, denies, suppresses, or ignores. It is a deeper, more abstract or intangible human longing. It is not physical or concrete. It is an emotional or spiritual urge or inner call to live up to one’s higher nature. For example: To become a better parent, to forgive another, to act with integrity, to find one’s faith, to become more altruistic, to be a more reliable friend, to face the truth, to love unselfishly, etc.
To embrace the need, the character must abandon the specific self-centered goal (or object of desire) and address more fundamental and far-reaching human concerns.

What is the Conflict Between the Want and the Need?

One of the most common problems with stories that don’t work is the lack of a clear and specific want vs. a deep and powerful inner longing.

The want pulls us through the story. The need draws us deeper into or inside the character. If this bedrock conflict isn’t clear the story won’t add up to very much.

Does the Story Clearly Distinguish the Want and the Need?

Does the main character have a specific physical or concrete object of personal desire? What does he or she want? What is the concrete physical goal or specific objective? Does the main character actively pursue this objective through the story?
Does the main character have a clearly delineated deeper human longing? What is missing deep inside the character?
What is the main character willing to sacrifice or surrender to obtain the want or to embrace the need? Is there a high cost for each choice?

Does that mean that no character ever gets what he or she wants? We know that’s not true. Characters get what they want all the time. But this happens in a one of two ways.

1) The character gets what he or she wants and finds that it is hollow:

For example, in Jerry Maguire, Jerry (Tom Cruise) gets what he wants, to get back in the game by representing a major NFL player. He finds his victory is hollow when he realizes he has no one to call or with whom to celebrate after a big win. This is when he returns to his wife and family.

In Dangerous Liaisons, Vicomte Valmont (John Malkovich) gets what he wants: To seduce the un-seducible woman. He finds his victory is hollow when he realizes he has destroyed the only woman he has ever loved and who truly loves him. The story ends tragically with his death and hers.

2) The character lets go of the want and embraces the need and then, in the classic comedic turnaround, he or she finds something even better or finds that the want comes around on the other side:

In life, this is the experience of a young couple that tries to start a family. What they want is a biological child. They try and try to no avail. They realize what they need is to start a family with a child who needs them. They adopt and are deliriously happy. What happens one year later? The wife gets pregnant. This happy turnaround happens enough in life that we believe it in fiction.

Or for example, in Pretty Woman, Vivian Ward (Julia Roberts) wants to pay the rent. That’s why she picks up Edward Lewis (Richard Gere) in the first place. It’s why she stays with him over the course of the story. When he offers to meet that want by buying her a condo (and pay her rent in perpetuity) she turns him down. What she needs is to live a life of honesty and integrity. If she accepts his deal she will always be a whore. She rejects his offer and it is that act of integrity that brings him back to her as a real suitor and a true partner (rather than as a man who is simply “buying” her).

The tougher the choice is, the better the story. Does the main character pay dearly for whatever he or she pursues and chooses? The price is the end of the long road where the character comes face-to-face with the ultimate truth. Who is the character really? This supreme price is what the audience is waiting to see. If the price is not high enough, the story suffers.

The following was an excerpt from my book How to Evaluate Stories available on Amazon

Laurie Hutzler’s handy primer is the result of ten years of teaching at the UCLA Film School and consulting on stories across the globe – from Academy Award winning movies to hit television series and popular novels. Anyone who has to evaluate stories will want to keep it on their desk as a ready reference.

See what others have to say here.

“This little book is so packed with story wisdom it is mind boggling.”
—Meg LeFauve, producer, screenwriter, former President of Jodie Foster’s Egg Pictures

Managing our time needs to become a ritual too. Not simply a list or a vague sense of our priorities. That’s not consistent or deliberate. It needs to be an ongoing process we follow no matter what to keep us focused on our priorities throughout the day.

I think we can do it in three steps that take less than 18 minutes over an eight-hour workday.

STEP 1 (5 Minutes) Set Plan for Day. Before turning on your computer, sit down with a blank piece of paper and decide what will make this day highly successful. What can you realistically accomplish that will further your goals and allow you to leave at the end of the day feeling like you’ve been productive and successful? Write those things down.

Now, most importantly, take your calendar and schedule those things into time slots, placing the hardest and most important items at the beginning of the day. And by the beginning of the day I mean, if possible, before even checking your email. If your entire list does not fit into your calendar, reprioritize your list. There is tremendous power in deciding when and where you are going to do something.

In their book The Power of Full Engagement, Jim Loehr and Tony Schwartz describe a study in which a group of women agreed to do a breast self-exam during a period of 30 days. 100% of those who said where and when they were going to do it completed the exam. Only 53% of the others did.

In another study, drug addicts in withdrawal (can you find a more stressed-out population?) agreed to write an essay before 5 p.m. on a certain day. 80% of those who said when and where they would write the essay completed it. None of the others did.

If you want to get something done, decide when and where you’re going to do it. Otherwise, take it off your list.

STEP 2 (1 minute every hour) Refocus. Set your watch, phone, or computer to ring every hour. When it rings, take a deep breath, look at your list and ask yourself if you spent your last hour productively. Then look at your calendar and deliberately recommit to how you are going to use the next hour. Manage your day hour by hour. Don’t let the hours manage you.

STEP 3 (5 minutes) Review. Shut off your computer and review your day. What worked? Where did you focus? Where did you get distracted? What did you learn that will help you be more productive tomorrow?

The power of rituals is their predictability. You do the same thing in the same way over and over again. And so the outcome of a ritual is predictable too. If you choose your focus deliberately and wisely and consistently remind yourself of that focus, you will stay focused. It’s simple.

The One Hour Screenwriter eBook shows you exactly how to implement a sustainable writing schedule and gives you the step-by-step organization and direction to finish your screenplay.  You’ll never be stuck or stymied again because hour-by-hour you will know exactly what to do.  Great exercises, check lists and specific assignments to move you through your script in an easy continuous flow.

Power of Conscience characters know instinctively if something is wrong, unjust, unfair, improper, corrupt or out of line.  Their judgment and response is swift and immutable. They are propelled forward by personal outrage and moral indignation, usually on another’s behalf.

These characters believe they are their brother’s keeper.  They feel responsible for the greater good and for doing good.  They wrestle with how far they should go in seeking justice and fairness for others, in exposing corruption and injustice or in standing up against evil or wrong-doing.   They worry about with what is the higher duty and what exactly is required of them in response.

The answer, in a drama, is everything this character holds dear. Over the course of a drama these characters are drawn further and further down the path of righteousness.  They are compelled to do one small thing, then another and another until, in the end, they have sacrificed their personal concerns, their safety, their security, their family, their fortunes or often their lives.

They can be a force for good or evil in a story.  In their Dark Side these characters believe the ends justify the means (evil behavior for a good or moral purpose).  At their worst they can become rigid, accusatory, sanctimonious, judgmental and hypocritical.

On the comedy side, Power of Conscience characters are often pious hypocrites who are exposed in a comedic way or respectable establishment types who get a humorous comeuppance. Or, they can be straight-laced or uptight individuals who need to relax, be more spontaneous and have more fun.

Character Examples

Film examples include:  Erin Brockovich in Erin Brockovich; Oskar Schindler in Schindler’s List; Queen Elizabeth in The Queen; Norma Rae in Norma Rae; Thomas More in A Man for All Seasons; Jeffrey Wigand in The Insider and Frank Galvin in The Verdict.

Horatio Caine in CSI: Miami; Dwight Schrute inThe Office; Bree Van De Kamp in Desperate Housewives; Charlotte York inSex and the City and Lisa Simpson in The Simpsons are great television examples.  See the Power of Conscience blog posts for more examples.

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Power of Conscience eBook

The Power of Conscience Character Type eBook explains how these characters are alike and how each character is made individually distinct.  It will help you develop unique, original, evocative and authentic characters that fully explore all the contradictions, reversals and surprises of a fully formed human being.

Discover the Power of Conscience character’s specific goals, unique emotional obstacles and very distinct responses and reactions to any opportunity, challenge or threat.  Create this character’s Immediate Tactics, Long-term Orientation and Strategic Approach in a way that is recognizably “true” at every step of the story and during every moment of screen time. The audience will instantaneously recognize and relate to your character because your character is complex, three-dimensional and “feels real.”

This eBook is thorough analysis of the Power of Conscience Character Type in his or her many guises and roles as a protagonist or a member of a larger ensemble.  It is packed with numerous examples from film, television and even real life! Examples from scores of scenes and dozens of quotes from film and television characters clearly illustrate this character’s motivations and psychological dynamics in a story.

Comprehensive Analysis

The Power of Conscience Character Type eBook illustrates exactly how to create and differentiate this character based on his or her:

(1.) World View (beliefs about how the world works) What are the essential core beliefs that motivate a Power of Conscience character’s ordinary actions?

(2.) Role or Function (position in the story or role in the ensemble) What do the other players look to a Power of Conscience character to do or provide in the story?

(3.) Values in Conflict (competing values that push the character to extremes) What opposing choices or goals establish the Power of Conscience character’s moral code? What is this character willing to fight, sacrifice or die for? And why?

(4.) Story Questions (emotional journey in the story) What personal issues, dilemmas and internal conflicts does a Power of Conscience character wrestle with over the course of the story? What does this character ask of him or her self? What is this character’s Leap of Faith in an emotionally satisfying story?

(5.) Story Paradox (emotional dilemma) What is the duality or the contradiction at the heart of a Power of Conscience character’s story struggle? How is the character’s internal conflict expressed in actions.

(6.) Life Lessons (how to complete the emotional journey) What must a Power of Conscience character learn over the course of the story to make a clear, satisfying personal transformation? What actions lead to this character’s emotional salvation?

(7.) Dark Side (this character as a predator or villain) What happens when a Power of Conscience character’s actions are driven entirely by fear? How might or how does the story end in tragedy?

(8.) Leadership Style (what defines and qualifies this character as a leader) How does a Power of Conscience character convince others to follow? How does this character act to take charge and command?

(9.) Film Examples (the Power of Conscience character as a protagonist)

(10.) Television Examples (the Power of Conscience character as central to an ensemble)

(11.) Real Life Examples (historical Power of Conscience figures on the world stage)

Power of Idealism characters believe that life and love should involve a grand passion or an heroic destiny.  They see the world in terms of sweeping epic poetry or as a struggle of operatic proportions.  Intensity of feeling (good or bad) makes this character’s life worth living.

Power of Idealism characters believe it is better to be in intense pain than to feel nothing at all or to be simply content or complacent.  These characters are more than willing to suffer for their art, their iconoclasm or their noble or romantic gestures.  They believe pain is necessary to living a life of passion.  They embrace their pain and even tend to wallow in it.

Power of Idealism characters have high standards and seek excellence in whatever they do.  They appreciate the finer things in life and special luxuries large and small.  They strive for aesthetic perfection in all areas.  They abhor anything they consider to be coarse, gross, common, ordinary, mediocre, inelegant or ungallant.  They believe that what is perfect but unavailable or unattainable is infinitely more desirable than what is flawed but possible or achievable.  They are always reaching for the unreachable star.

A character driven by the Power of Idealism wants to stand out from the crowd, to be extraordinary, unique and special. They are youthful rebels, Epic Heroes or lovers whose passion lives forever.  In addition to the examples below, see the Power of Idealism blog posts for more examples.

Character Examples

Coming of Age characters like the title characters in Billy Elliot or Juno, “Jess” Kaur Bhamra in Bend It Like Beckham and Curt Henderson in American Graffiti are young people “finding themselves.” They don’t quite fit in and struggle to find their rightful place in the world. Learn how these characters lose their innocence but gain a more complex understanding of the adult world.

Epic Hero characters like Colonel Robert Shaw in Glory, King Leonides in 300 and William Wallace in Braveheart are warriors in a doomed but noble battle. These Epic Heroes fight courageously and sacrifice themselves for honor, glory and the immortality of story, song and legend. Learn how these characters lose their lives but live forever in our hearts.

Separated Lovers like Rick Blaine in Casablanca, Karen Blixen in Out of Africa and Zhivago in Doctor Zhivago are torn asunder from their lovers but their passion transcends time, distance or death. In Separated Lover stories learn how love becomes stronger than any other force on earth– even death.

Intense and sensitive Power of Idealism television characters include Meredith Grey in Grey’s Anatomy, Carrie Bradshaw inSex and the City, Ryan Atwood in The O.C. and Dawson Leery in Dawson’s Creek. Learn how these complex characters keep us enthralled week after week.

Power of Idealism eBook

The Power of Idealism Character Type eBook explains how these characters are alike and how each character is made individually distinct. It will help you develop unique, original, evocative and authentic Power of Idealism characters that fully explore all the contradictions, reversals and surprises of a fully formed human being.

Discover the Power of Idealism character’s specific goals, unique emotional obstacles and very distinct responses and reactions to any opportunity, challenge or threat. Create this character’s Immediate Tactics, Long-term Orientation and Strategic Approach in a way that is recognizably “true” at every step of the story and during every moment of screen time. The audience will instantaneously recognize and relate to your character because your character is complex, three-dimensional and “feels real.”

This eBook is thorough analysis of the Power of Idealism Character Type in his or her many guises and roles as a protagonist or a member of a larger ensemble. It is packed with numerous examples from film, television and even real life! Examples from scores of scenes and dozens of quotes from film and television characters clearly illustrate this character’s motivations and psychological dynamics in a story.

Comprehensive Analysis

The Power of Idealism Character Type eBook illustrates exactly how to create and differentiate this character based on his or her:

(1.) World View (beliefs about how the world works) What are the essential core beliefs that motivate a Power of Idealism character’s ordinary actions?

(2.) Role or Function (position in the story or role in the ensemble) What do the other players look to a Power of Idealism character to do or provide in the story?

(3.) Values in Conflict (competing values that push the character to extremes) What opposing choices or goals establish the Power of Idealism character’s moral code? What is this character willing to fight, sacrifice or die for? And why?

(4.) Story Questions (emotional journey in the story) What personal issues, dilemmas and internal conflicts does a Power of Idealism character wrestle with over the course of the story? What does this character ask of him or her self? What is this character’s Leap of Faith in an emotionally satisfying story?

(5.) Story Paradox (emotional dilemma) What is the duality or the contradiction at the heart of a Power of Idealism character’s story struggle? How is the character’s internal conflict expressed in actions.

(6.) Life Lessons (how to complete the emotional journey) What must a Power of Idealism character learn over the course of the story to make a clear, satisfying personal transformation? What actions lead to this character’s emotional salvation?

(7.) Dark Side (this character as a predator or villain) What happens when a Power of Idealism character’s actions are driven entirely by fear? How might or how does the story end in tragedy?

(8.) Leadership Style (what defines and qualifies this character as a leader) How does a Power of Idealism character convince others to follow? How does this character act to take charge and command?

(9.) Film Examples (the Power of Idealism character as a protagonist)

(10.) Television Examples (the Power of Idealism character as central to an ensemble)

(11.) Real Life Examples (historical Power of Idealism figures on the world stage)

Power of Excitement characters believe life is a playground and a grand adventure. They often are an innovator, an explorer, a merry pranksters or the perennial “forever young” person in a story (who never grew up). In whatever role these characters play, they are good humored, endlessly optimistic and great fun.

They keep things lively, entertaining, interesting and off-balance for all the other characters. However, these characters are not interested in anything that requires a comforting hand, a long-term commitment, personal responsibility or a deep intimate attachment.

Power of Excitement characters are usually an agent of chaos. Their rakish push-the- envelop devil-may-care attitude inevitably shakes things up in a story. But their charm, ready wit and natural talent as an escape artist or improvisor often saves the day.

In a comedy these characters are the life of the party. They find ways to make things fun. They are risk-takers who seek out the next diversion, the new thrill or the most daring escapade. They love the variety and are willing to try anything.

In their Dark Side they are irresponsible users always looking for the next high. They often have a “junkie mentality” with a ready excuse for every mishap or whatever mayhem they cause along the way.

Character Examples

The title characters in the early James Bond movies and the Indiana Jones movies are examples of this protagonist as an adventurer or escape artist. The title character in the Austin Powers movies is the comedic version of the same devil-may-care swashbuckler.

Hugh Grant has played many of these charming unreliable boy/men in Four Weddings and a Funeral; About A Boy;Bridget Jones’s Diary and Notting Hill. Holly Golightly in Breakfast at Tiffany’s is a female example as is Maude inHarold and Maude.  See the Power of Excitement blog posts for more movie examples.

Earl Hickey in My Name is Earl; Dr. Christian Troy in Nip/Tuck; Dr. Doug Ross in ER; Bart Simpson in The Simpsonsand Edina (Eddie) Monsoon in Absolutely Fabulous are great television examples.  See the Power of Excitement blog posts for more television examples.

Power of Excitement eBook

The Power of Excitement Character Type eBook explains how these characters are alike and how each character is made individually distinct. It will help you develop unique, original, evocative and authentic Power of Excitement characters that fully explore all the contradictions, reversals and surprises of a fully formed human being.

Discover the Power of Excitement character’s specific goals, unique emotional obstacles and very distinct responses and reactions to any opportunity, challenge or threat. Create this character’s Immediate Tactics, Long-term Orientation and Strategic Approach in a way that is recognizably “true” at every step of the story and during every moment of screen time. The audience will instantaneously recognize and relate to your character because your character is complex, three-dimensional and “feels real.”

This eBook is thorough analysis of the Power of Excitement Character Type in his or her many guises and roles as a protagonist or a member of a larger ensemble. It is packed with numerous examples from film, television and even real life! Examples from scores of scenes and dozens of quotes from film and television characters clearly illustrate this character’s motivations and psychological dynamics in a story.

Comprehensive Analysis

The Power of Excitement Character Type eBook illustrates exactly how to create and differentiate this character based on his or her:

(1.) World View (beliefs about how the world works) What are the essential core beliefs that motivate a Power of Excitement character’s ordinary actions?

(2.) Role or Function (position in the story or role in the ensemble) What do the other players look to a Power of Excitement character to do or provide in the story?

(3.) Values in Conflict (competing values that push the character to extremes) What opposing choices or goals establish the Power of Excitement character’s moral code? What is this character willing to fight, sacrifice or die for? And why?

(4.) Story Questions (emotional journey in the story) What personal issues, dilemmas and internal conflicts does a Power of Excitement character wrestle with over the course of the story? What does this character ask of him or her self? What is this character’s Leap of Faith in an emotionally satisfying story?

(5.) Story Paradox (emotional dilemma) What is the duality or the contradiction at the heart of a Power of Excitement character’s story struggle? How is the character’s internal conflict expressed in actions.

(6.) Life Lessons (how to complete the emotional journey) What must a Power of Excitement character learn over the course of the story to make a clear, satisfying personal transformation? What actions lead to this character’s emotional salvation?

(7.) Dark Side (this character as a predator or villain) What happens when a Power of Excitement character’s actions are driven entirely by fear? How might or how does the story end in tragedy?

(8.) Leadership Style (what defines and qualifies this character as a leader) How does a Power of Excitement character convince others to follow? How does this character act to take charge and command?

(9.) Film Examples (the Power of Excitement character as a protagonist)

(10.) Television Examples (the Power of Excitement character as central to an ensemble)

(11.) Real Life Examples (historical Power of Excitement figures on the world stage)

“But the more important thing is to write everything down. I would say, Write down what’s going on around you, what’s going on in your family, on the street, and with your friends. Just keep writing and writing. You don’t even have to think it’s a script. Write down as much as you can, and then out of that you might eventually be able to pull a picture which, over the years, I have been able to do.” Martin Scorcese

Here’s how to put that philosophy into practice every day. Below is a FREE LESSON from the One Hour Screenwriter eBook.

Sit back and remember your most risky behavior. It could be an act of rebellion, a gamble (successful or unsuccessful), a brief adventure, a moment of daring, a crazy scheme, a wild leap of faith, a transgression, a crime or any other reckless activity.

What exactly did you do? Did you get away with it? What consequences did you pay? Was it worth the risk? Or did you have regrets?

Describe as completely as you can a situation when you left caution to the wind. Who or what prompted you to undertake this dicey activity?

Was anyone else involved? What was their contribution to the situation? How did you feel before, during and after taking the chance you took?

Can you remember what the day was like and what you wore? What are your other sense memories (sight, sound and feeling) of that risky moment in your life? How did the situation or activity engage all your emotions?

Did you make a personal leap of faith to do this? Did the activity make you feel stronger or more confident?

Did it make you feel foolish? Was there a let down afterwards? Was there relief? Was there exhilaration? Write about everything you felt.

Was this activity something you agonized about and summoned the courage to undertake over time, or was it an impulsive action taken in the heat of the moment? What made the experience memorable?

Take 10 to 15 minutes to complete this exercise. Do not censor yourself; write whatever comes to mind. Don’t be worried about being articulate, artistic or interesting, just write. Let your memories flow freely.

Now write this exercise from your character’s point of view. What are the riskiest things your character does in the story? How does that make your character feel?

Ask your character the same questions above. Your character should have several risky moments in the story. What are they?

List and describe these moments as completely as you can. Add this material to your Film Project Notebook.

The One Hour Screenwriter eBook explains how you can use your own life experience to write a script. The eBook breaks the writing process down into easy, clear bite-sized increments. You are guided step-by-step through writing your story. Order your copy today!

Force your character to risk everything in facing his or her fear. Unless your character faces the fear or secret shame, your character will never be free. Your character will constantly be forced to cling the mask and seek its “protection.” A character that hides a secret shame will never be able to live a truly authentic life. As long as that fear and shame is lurking in the background the character will always be its slave.

Love and fear are inextricably bound together. All your character’s worries and anxieties about love will cluster right at the root of his or her fear. Your character’s worries and concerns about love don’t just color his or her romantic relationships. They bled into every single relationship and interaction the character has with another human being in the story. These fears are especially intense in dealing with the antagonist. The smart antagonist deliberately plays on this fear to try to weaken or tempt your character to be his/her own worst enemy. In a story and in life any decision based on fear is the wrong decision.

Your character’s fear is your most important emotional tool as a writer. Anytime you get in trouble in a scene, a sequence or an act— go right to your character’s fear. How does this constant underlying static of anxiety or worry operate in the dramatic or comedic action of the story? Bring the character’s fear to the surface in every scene, every sequence and every act. Take every opportunity to make the character’s physical and emotional situation and entanglements play off the fear and magnify it.

Make fear wreak havoc with the character internally. Find a way to demonstrate this conflict externally through the character’s actions. Make the worst thing that could possibly happen to the character take place on successively deeper and more risky personal levels. Then show us what the character does in response. Remember: It is through action that a person’s true character is revealed.

Fear isn’t just a prime motivator of protagonists. When antagonists do evil deeds they are most often motivated by fear. Giving the audience an glimpse of the antagonist’s fear humanizes him or her and makes this character a more complex and fully realized individual.

The above is an excerpt from The One Hour Screenwriter eBook.

Power of Will characters believe that expanding their power base, extending their territory, protecting and defending what is rightfully theirs (according to them) and swiftly avenging any wrong (or perceived wrong) is how one gets along, gets ahead and stays ahead in the world.

Power of Will characters take what they want, fight for every inch of turf, refuse to show any weakness themselves and pounce decisively on the weakness of others. They have a kill or be killed framework for everything. They believe absolutely in the Law of the Jungle.

These characters divide the world into aggressors and victims, hunters and prey, and the strong and the weak. They believe it is better to be feared than to be loved. They never want to be seen as “soft” or vulnerable. They show no mercy and they expect none.

A character driven by the Power of Will is one of the mostly frequently utilized characters in film and television. Although typically cast in the role of the antagonist, villain, heavy, muscle, enforcer or nemesis, this Character Type also makes a vibrant and complex protagonist. Although most often developed as a male character, a Power of Will character can also be a formidable female.

Character Examples

Tony and Livia Soprano in The Sopranos; Vic Mackey in The Shield; Al Swearengen in Deadwood; Andy Sipowicz inNYPD Blue; Young King Henry in The Tudors; Angela Agretti in Falcon Crest; Homer Simpson in The Simpsons and Samantha Jones in Sex and the City are great television examples of this Character Type.  For more television example see the Power of Will blog posts.

Film examples include: Michael Corleone in The Godfather; Tony Montana in Scarface; Daniel Plainview in There Will be Blood; Gordon Gekko in Wall Street, Wendy Kroy in The Last Seduction; and the Marquise de Merteuil in Dangerous Liaisons.  For more movie example see the Power of Will blog posts.

Power of Will eBook

The Power of Will Character Type eBook explains how these characters are alike and how each character is made individually distinct. It will help you develop unique, original, evocative and authentic Power of Will characters that fully explore all the contradictions, reversals and surprises of a fully formed human being.

Discover the Power of Will character’s specific goals, unique emotional obstacles and very distinct responses and reactions to any opportunity, challenge or threat. Create this character’s Immediate Tactics, Long-term Orientation and Strategic Approach in a way that is recognizably “true” at every step of the story and during every moment of screen time. The audience will instantaneously recognize and relate to your character because your character is complex, three-dimensional and “feels real.”

This eBook is thorough analysis of the Power of Will Character Type in his or her many guises and roles as a protagonist or a member of a larger ensemble. It is packed with numerous examples from film, television and even real life! Examples from scores of scenes and dozens of quotes from film and television characters clearly illustrate this character’s motivations and psychological dynamics in a story.

Comprehensive Analysis

The Power of Will Character Type eBook illustrates exactly how to create and differentiate this character based on his or her:

(1.) World View (beliefs about how the world works) What are the essential core beliefs that motivate a Power of Will character’s ordinary actions?

(2.) Role or Function (position in the story or role in the ensemble) What do the other players look to a Power of Will character to do or provide in the story?

(3.) Values in Conflict (competing values that push the character to extremes) What opposing choices or goals establish the Power of Will character’s moral code? What is this character willing to fight, sacrifice or die for? And why?

(4.) Story Questions (emotional journey in the story) What personal issues, dilemmas and internal conflicts does a Power of Will character wrestle with over the course of the story? What does this character ask of him or her self? What is this character’s Leap of Faith in an emotionally satisfying story?

(5.) Story Paradox (emotional dilemma) What is the duality or the contradiction at the heart of a Power of Will character’s story struggle? How is the character’s internal conflict expressed in actions.

(6.) Life Lessons (how to complete the emotional journey) What must a Power of Will character learn over the course of the story to make a clear, satisfying personal transformation? What actions lead to this character’s emotional salvation?

(7.) Dark Side (this character as a predator or villain) What happens when a Power of Will character’s actions are driven entirely by fear? How might or how does the story end in tragedy?

(8.) Leadership Style (what defines and qualifies this character as a leader) How does a Power of Will character convince others to follow? How does this character act to take charge and command?

(9.) Film Examples (the Power of Will character as a protagonist)

(10.) Television Examples (the Power of Will character as central to an ensemble)

(11.) Real Life Examples (historical Power of Will figures on the world stage)