Democrat – ETB https://etbscreenwriting.com Screenwriting Fri, 30 Jul 2021 21:08:01 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 Barack Obama – Three Factors of Character Type https://etbscreenwriting.com/barack-obama-three-factors-of-character-type/?utm_source=rss&utm_medium=rss&utm_campaign=barack-obama-three-factors-of-character-type https://etbscreenwriting.com/barack-obama-three-factors-of-character-type/#respond Fri, 17 Oct 2008 18:47:41 +0000 http://etbscreenwriting.com//?p=1532 small_obama ETB ScreenwritingI’ve written extensively on the differences in Character Type between John McCain and Barack Obama.  Both candidates’ response to the recent American financial crisis is further revealing of all aspects of their Character Types.

Today let’s take a closer look at Barack Obama’s response
A Character Type is made up of three key factors:

1. Immediate Tactics: This is how a character reacts to a specific challenge, opportunity or threat.  It is a character’s immediate tactical response or maneuvers to deal with a specific problem or obstacle in the short-term.

2.  Long-term Orientation: This is how the character views the world, sees his or her role in it and is what a character believes is true about life and love.  It is a character’s overarching personal philosophy and view of self.

3.  Strategic Approach: This is how a character goes about leading or getting things done over the long haul.  It is how a character works with others overall. It is how a character takes charge or commands to achieve a larger goal.  Strategy deals with the art of of obtaining a grand overarching objective.

Each of these key factors is motivated by the fight, flight or embrace/submit response.  These are the three possible biological reactions to anything.  A character can confront something (fight).  He or she can withdraw from something (flight).  Or a character can embrace or submit to something.

Each of these key factors is motivated by the fight, flight or embrace/submit response.  These are the three possible biological reactions to anything.  A character can confront something (fight).  He or she can withdraw from something (flight).  Or a character can embrace or submit to something.

Obama is a classic Power of Imagination character.

Interestingly, Obama’s tactical and strategic dynamics are exactly the same as McCain’s: Immediate Tactics (embrace) and Strategic Approach (withdraw). This combination manifests itself very differently because a Power of Imagination character’s overarching personal philosophy and view of self is poles apart from that of the Power of Idealism character like John McCain.

1. Immediate Tactics: Power of Imagination characters embrace an opportunity, challenge or threat as something to be communicated to others. Power of Imagination characters believe they have a big message, an important directive or urgent call from “somewhere out there” or somewhere “deep inside.” They know in their heart when they have connected with something bigger and more extraordinary than themselves.

These characters are then compelled to embrace others and share their perceptions. They want others to embrace the common good inspired by their vision. Power of Imagination characters are the most unlikely of messengers. They usually people who are normally overlooked. As a young black man, with only a two year tenure in the Senate, Obama is a very unlikely Presidential candidate.

Despite their improbable chances, the power of their idea, message or inspiration forces these characters to gather others in some kind of common quest or group journey. These characters want to simply embrace and be a part of the group but, in the end, they are thrust forward to take on the hero’s role.

In the recent US financial crisis, Obama took a background role. He quietly worked the phones trying to bring members of Congress together in some kind of compromise. He only came forward when forced by John McCain to attend the Presidential level meeting with Congressional leaders. Afterward Obama said: “It is a mistake to interject Presidential politics into sensitive negotiations.” McCain characterized Obama’s low key unifying tactics as not providing bold enough leadership.

2. Long-term Orientation: Power of Imagination characters see the world as a vast web of interconnection. They take an inconspicuous background role in order to embrace and validate others and more effectively weave together collaborators who ordinarily would have nothing in common. They stress that whatever personal differences there may be, a common purpose should unite the group.

The Power of Imagination character’s philosophy might be stated: “We must be inspired to work for the common good and the welfare of the whole.” They believe: “All for one. One for all.” They value unity, cooperation and collaboration above all else.

Barack Obama often uses the words “we” and “us” in his campaign. “America, we are better than these last eight years. We are a better country than this.” “Now is the moment for us to come together and put the fire out (of the financial crisis).” “We have a daunting task ahead of us.” He sees leadership as being an exercise in building relationships and using teamwork.

These characters’ worldview can make them seem impractical, quixotic, dreamy and disorganized. Their extreme aversion to conflict and confrontation often inhibits setting appropriate boundaries, standing their ground and making difficult choices. At their worst, Power of Imagination characters dither, compromise, and endlessly discuss needed decisions for fear of offending someone or not including everyone in the decision-making.. At their best, they bring people together to work toward a common goal.

3. Strategic Approach: A Power of Imagination character’s overall method of working with others toward a goal is to step back or withdraw for the good of the group. These characters don’t want to impose themselves on others too stridently. They are extremely patient and are willing to work through thorny problems or difficult issues by listening to all sides. These character don’t particular seek individual credit. They much prefer to be subsumed in the team. Their challenge as leaders is to step forward decisively and make the hard potentially divisive decision on their own.

Obama’s actions during the financial crisis seemed cool and distant. He doesn’t exhibit a lot of passion, a sense of urgency or boldness. His Immediate Tactic: Embrace along with his Long Term Orientation: Embrace combine with his Strategic Approach: Withdraw creates a measured approach which is directed at patiently building consensus.

McCain sees a challenge in terms of a personal call to step forward as an individual hero. Obama sees a challenge in terms of bringing people together as a unified group. If this were a romantic comedy sparks would fly as the two characters exchanged gifts and filled in the missing pieces in the other.

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McCain and Obama: Character Consistency in Storytelling https://etbscreenwriting.com/mccain-and-obama-character-consistency-in-storytelling/?utm_source=rss&utm_medium=rss&utm_campaign=mccain-and-obama-character-consistency-in-storytelling https://etbscreenwriting.com/mccain-and-obama-character-consistency-in-storytelling/#respond Thu, 02 Oct 2008 19:51:15 +0000 http://etbscreenwriting.com//mccain-and-obama-character-consistency-in-storytelling/ Obama Mccain ETB ScreenwritingThe U.S. election drama has me riveted.  It is an amazing opportunity to see two Character Types play out their roles on the world stage.  Here are two articles that demonstrate how consistently Character Types are viewed.  The same basic qualities are highlighted in nearly every analysis and review of the candidate’s campaign performance.

Here is what the co-author of McCain’s memoirs said about the stories McCain loves and how they connect with his own story:

The John McCain (as he describes himself in) “Faith of My Fathers,” for example, bears more than a little resemblance to the fictional Robert Jordan of “For Whom the Bell Tolls.” Mr. McCain later celebrated (this Hemmingway hero) in another book (about himself) with Mr. Salter, “Worth the Fighting For,” which was named for a line of Jordan’s dying thoughts. (Jordan) was “a man who would risk his life but never his honor,” Mr. McCain wrote with Mr. Salter, a model of “how a great man should style himself.”

Each book is heavy with premonitions of mortality. Robert Jordan and John McCain each confront great tests (the temptation to escape a doomed mission for one, the offer of early prison release for the other) in the service of a lost cause (the socialists in the Spanish Civil War, the Americans in Vietnam). And in accepting his fate, each makes peace with his father and grandfather.

Mr. McCain’s admirers, like Mr. Timberg, have often puzzled over what drew him to Maugham’s “Of Human Bondage.” It is a convoluted psychodrama about a young man with a club foot; he seethes with resentment over his disability and nearly ruins his life in the thrall of a waitress-turned-prostitute who rejects him. But the character’s final realization could fit almost as well near the conclusion of Mr. McCain’s memoir: “It might be that to surrender happiness was to accept defeat, but it was a defeat better than many victories.”

“That explains it,” Mr. Salter said when he heard the line. “Perfect McCainism.”

The full New York Times article can be found at:  http://www.nytimes.com/2008/10/13/us/politics/13mccain.html?hp

Power of Idealism characters have a sense of doomed destiny.  They reject the offer of ordinary escape (and a happy life) in favor of the valiant, but doomed attempt.  They embrace glorious defeat (or death on the battle field) in order to live out their own scenario of courage and personal honor.

Here’s what a recent article by a conservative New York Times columnist said about Obama:

“(O)ver the past two years, Obama has… shown the same untroubled self-confidence day after day. There has never been a moment when, at least in public, he seems gripped by inner turmoil. It’s not willpower or self-discipline he shows as much as an organized unconscious (or I might add the collective unconscious). Through some deep, bottom-up process, he has developed strategies for equanimity…

They say we are products of our environments, but Obama, the sojourner (on his quest), seems to go through various situations without being overly touched by them. Over the past two years, he has been the subject of nearly unparalleled public worship, but far from getting drunk on it, he has become less grandiloquent as the campaign has gone along.

…It could be that Obama (as a president) will be an observer, not a leader. Rather than throwing himself passionately into his causes, he will stand back. Congressional leaders, put off by his supposed intellectual superiority, will just go their own way. Lost in his own nuance, he will be passive and ineffectual. Lack of passion will produce lack of courage. The Obama greatness will give way to the Obama anti-climax.

We can each guess how the story ends. But over the past two years, Obama has clearly worn well with voters. Far from a celebrity fad, he is self-contained, self-controlled and maybe even a little dull”

The full New York Times article can be found at:  http://www.nytimes.com/2008/10/17/opinion/17brooks.html?hp

Power of Imagination characters are humble and self-effacing quite naturally.  They seek greatness from others and draw their inspiration and power from the bottom up (rather than display it from the top down like John McCain does).

Obama’s grass roots campaign and masses of small individual donations also displays this Character Type’s bottom up view of things.  The danger is they are always collecting allies and consensus and avoid stepping out decisively or with passion on their own, ahead of the crowd, to really lead.  They can be a bit dull and do seem quite ordinary.  Their leap of faith is to move away from the unity of the crowd and make hard decisions that could be divisive.

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