Star Trek – ETB https://etbscreenwriting.com Screenwriting Sun, 06 Sep 2009 17:55:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 Power of Reason https://etbscreenwriting.com/power-of-reason/?utm_source=rss&utm_medium=rss&utm_campaign=power-of-reason https://etbscreenwriting.com/power-of-reason/#respond Sun, 06 Sep 2009 17:55:40 +0000 http://etbscreenwriting.com//?p=215 Power of Reason ETBScreenwritingPersonality

Power of Reason characters see the world as a series of intellectual, practical or scientific problems, dilemmas or puzzles to be solved. They believe anything and everything can be explained rationally or solved logically. They examine the situation carefully, consult other expert opinions or past experiences and put their minds to the issue in a thorough and objective fashion.

These characters cannot abide deviation from their systematic and orderly approach to the world. They tend to discount or ignore emotional or spiritual (or supernatural) factors in a situation or a problem.  If they can’t see it, measure it, categorize it or quantify it they don’t believe in it.

Power of Reason characters don’t believe in getting personally involved or emotionally entangled in any issue. They always try to maintain a sense of cool detachment and personal objectivity.  They are good listeners but deflect or avoid any intimate questions about themselves and are extremely private about disclosing anything they consider to be personal. They are excellent problem-solvers and experts on matters technical, scientific or arcane.

Power_of_Reason ETB Screenwriting

Character Examples

Sheldon Cooper in The Big Bang Theory, Mr. Spock in Star Trek; Dr. Temperance Brennan in Bones; Agent Scully in The X-Files; and the title characters in DexterMonk and House are television examples.  For more television example see  the Power of Reason blog posts.

Film examples include: Ripley in Aliens; Father Damien Karras in The Exorcist; Dr. Matt Fowler in In The Bedroom; Andy Stitzer in The 40 Year Old Virgin and Melvin Udall in As Good As It Gets. For more film examples see the Power of Reason blog posts.

Power of Reason eBook

The Power of Reason Character Type eBook explains how these characters are alike and how each character is made individually distinct. It Reason help you develop unique, original, evocative and authentic Power of Reason characters that fully explore all the contradictions, reversals and surprises of a fully formed human being.

Discover the Power of Reason character’s specific goals, unique emotional obstacles and very distinct responses and reactions to any opportunity, challenge or threat. Create this character’s Immediate Tactics, Long-term Orientation and Strategic Approach in a way that is recognizably “true” at every step of the story and during every moment of screen time. The audience Reason instantaneously recognize and relate to your character because your character is complex, three-dimensional and “feels real.”

This eBook is thorough analysis of the Power of Reason Character Type in his or her many guises and roles as a protagonist or a member of a larger ensemble. It is packed with numerous examples from film, television and even real life! Examples from scores of scenes and dozens of quotes from film and television characters clearly illustrate this character’s motivations and psychological dynamics in a story.

Power_of_Reason ETB Screenwriting

Comprehensive Analysis

The Power of Reason Character Type eBook illustrates exactly how to create and differentiate this character based on his or her:

(1.) World View (beliefs about how the world works) What are the essential core beliefs that motivate a Power of Reason  character’s ordinary actions?

(2.) Role or Function (position in the story or role in the ensemble) What do the other players look to a Power of Reason character to do or provide in the story?

(3.) Values in Conflict (competing values that push the character to extremes) What opposing choices or goals establish the Power of Reason character’s moral code? What is this character willing to fight, sacrifice or die for? And why?

(4.) Story Questions (emotional journey in the story) What personal issues, dilemmas and internal conflicts does a Power of Reason character wrestle with over the course of the story? What does this character ask of him or her self? What is this character’s Leap of Faith in an emotionally satisfying story?

(5.) Story Paradox (emotional dilemma) What is the duality or the contradiction at the heart of a Power of Reason character’s story struggle? How is the character’s internal conflict expressed in actions.

(6.) Life Lessons (how to complete the emotional journey) What must a Power of Reason character learn over the course of the story to make a clear, satisfying personal transformation? What actions lead to this character’s emotional salvation?

(7.) Dark Side (this character as a predator or villain) What happens when a Power of Reason character’s actions are driven entirely by fear? How might or how does the story end in tragedy?

(8.) Leadership Style (what defines and qualifies this character as a leader) How does a Power of Reason character convince others to follow? How does this character act to take charge and command?

(9.) Film Examples (the Power of Reason character as a protagonist)

(10.) Television Examples (the Power of Reason character as central to an ensemble)

(11.) Real Life Examples (historical Power of Reason figures on the world stage)

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Terminator Salvation vs Star Trek – What Is Fair? https://etbscreenwriting.com/383-2/?utm_source=rss&utm_medium=rss&utm_campaign=383-2 https://etbscreenwriting.com/383-2/#respond Sun, 07 Jun 2009 23:00:06 +0000 http://etbscreenwriting.com//?p=383 Terminator_Salvation_John_Connor-etbscreenwritingThe Importance of Worldview

I had an interesting question forwarded by a reader on FaceBook. I described John Connor (Christian Bale) in Terminator Salvation as a Power of Conscience character. Power of Conscience characters are most deeply concerned about rightness, fairness and the higher duty involved in anything they do. (See Conscience Blog Posts). The question was: Aren’t all characters to some degree “fair.”

The answer of course is, yes! But the key factor is: How does that particular Character Type define “fair.” That definition varies widely. Each Character Type views the concept of fairness very differently and acts accordingly. Let’s look at Terminator Salvation and Star Trek for examples.

Power of Conscience ETB Screenwriting

Power of Conscience

A Power of Conscience character (John Connor in Terminator Salvation) values doing good, the higher duty and moral correctness most highly. Fairness for this character is doing right by others. Fairness means taking the moral high ground in any decision.

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Power of Idealism ETB ScreenwritingPower of Idealism

A Power of Idealism character (Marcus Wright in Terminator Salvation and James T. Kirk in Star Trek) values individuality, personal excellence and authenticity most highly. Fairness for this character is persevering the unique rights of the individual. Fairness means allowing each person to decide his or her personal destiny according to one’s own uniqueness and standards of excellence (even if the individual choice rebels against the rules, norms or morals of society).

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Power_of_Reason ETB ScreenwritingPower of Reason

A Power of Reason character (Spock in Star Trek) values objectivity, expertise and rationality most highly. Fairness for this character is deciding purely according to the facts and not being swayed by emotion. Fairness means looking at a situation objectively and proceeding logically (even if that decision is personally or socially painful).

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Power_of_Will ETB ScreenwritingPower of Will

A Power of Will character (Nero in Star Trek) values strength, power and territory most highly. Fairness for this character is what preserves the strong, culls the weak and decisively leads the pack. Fairness is the law of the jungle and survival of the fittest. Fairness means the biggest most powerful dog wins. (“Win or die there is no compromise”).

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Fairness Depends on Point of View

These are four very different ways of looking at and defining “fairness.” Each of these characters would make a very different determination about what is fair and would take very different actions given exactly the same set of circumstances.

It is very tempting, individually, to believe that everyone views “fairness” exactly as “I” do. In fact, different Character Types view philosophical concepts like fairness, love and social or personal responsibility very differently. They each have very distinct ideas about how the world works and very specific ideas about what is owed to the self and to others. It is this distinctiveness which will clarify, sharpen and set your characters apart from general stereotypes when you are clear about your character’s type.

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Star Trek 2009 – Spot On Character Types https://etbscreenwriting.com/star-trek-2009-spot-on-character-types/?utm_source=rss&utm_medium=rss&utm_campaign=star-trek-2009-spot-on-character-types https://etbscreenwriting.com/star-trek-2009-spot-on-character-types/#respond Thu, 28 May 2009 23:00:52 +0000 http://etbscreenwriting.com//?p=516 James-Kirk-etbscreenwritingThe big summer hit, Star Trek, (directed by J.J. Abrams and written by Roberto Orci and Alex Kurtzman) is a great opportunity to see the Character Types in action. Character Type consistency is a crucial reason why the film has played so well with new audiences and long-time fans of the venerable franchise.

Yes, the slick production values and special effects wizardry are important to the film’s success, but the new envisioning of the story ultimately succeeds because the characters are so true to the original. The creative team took the established Character Type of each well-loved individual and then wrote a younger version of the type.  For example:

James T. Kirk is a quintessential Power of Idealism character. This Character Type is the angry rebellious young man or the passionate idiosyncratic young woman in a Coming of Age Story. Star Trek is fundamentally a Coming of Age story. Although it features a strong ensemble cast, it is primarily the story of how Kirk becomes Captain of the Enterprise and assembles his famous crew.

Power of Idealism Coming of Age stories are about the struggle to grow up, distinguish one’s self as an extraordinary individual and find a place in a world where, at the beginning, the young person just doesn’t seem to fit.

We first meet young Kirk in an act of rebellion. He is a pre-teen speed demon racing down an Iowa road. Kirk grows up to be an intelligent, rebellious and somewhat cynical, young man. He is out of place in the flat Iowa landscape and hangs out at a bar near the Starfleet Academy.

When Kirk takes on a group of young Starfleet Cadets in a bar fight over a girl (Uhura), Captain Christopher Pike recognizes him as the son of an old friend. He challenges Kirk to do something “special and extraordinary” with his life. Kirk, as a Power of Idealism character, cannot help but rise to challenge of a higher calling.

Kirk is determined to distinguish himself in the Academy by beating a test Spock devises. After Captain Pike tells Kirk he could be a Captain in 4 years, Kirk responds to in typical Power of Idealism fashion:

Kirk: I’ll do it in three.

In fact, he earns his Captain’s Chair in the space of a single mission. He cements his place as a legend in the Federation and begins his extraordinary mission to “go where no one has gone before.”

The Power of Idealism eBook describes in-depth how these Character Types are defined in their youth and the book specifically describes and quotes at length how James T. Kirk is defined as an adult in the television series.

Young Spock is a spot on Power of Reason character. These characters play the role of the expert, the technician, the problem-solver, the diagnostician or the analyst in a story. They dominate a story situation by force of their special expertise, independent thinking, superior knowledge, keen analysis and cool self-sufficient self-containment. They are inherently socially awkward, aloof, shy or superior. They dislike or disdain what they would term excessive emotion.

The following exchange with Bones demonstrates Spock’s character:

Leonard ‘Bones’ McCoy: Are you out of your Vulcan mind? Are you making a logical choice, sending Kirk away? Probably. But, the right one? You know, back home we have a saying: “If you wanna ride in the Kentucky Derby, you don’t leave your prized stallion in the stable.”

Spock: A curious metaphor, doctor, as a stallion must first be broken before it can reach its potential.

Leonard ‘Bones’ McCoy: My God, man, you could at least ‘act’ like it was a hard decision…

Spock: I intend to assist in the effort to reestablish communication with Starfleet. However, if crew morale is better served by my roaming the halls weeping, I will gladly defer to your medical expertise. Excuse me.

Leonard ‘Bones’ McCoy: (as Spock leaves) Green-blooded hobgoblin.

The Power of Reason eBook describes in-depth how these Character Types are defined in their youth and the book specifically describes and quotes Spock as an adult in the television series.

Leonard ‘Bones’ McCoy is a Power of Truth character. These characters believe danger and disaster potentially lurk everywhere. They wary and skeptical. They are often the voice of potential doom and gloom. This exchange with Kirk demonstrates Bones’ character and his view of the world.

Leonard ‘Bones’ McCoy: One tiny crack in the hull and our blood boils in thirteen seconds. Solar flare might crop up, cook us in our seats. And wait till you’re sitting pretty with a case of Andorian shingles, see if you’re so relaxed when your eyeballs are bleeding. Space is disease and danger wrapped in darkness and silence.

Kirk: Well, I hate to break this to you, but Starfleet operates in space.

Leonard ‘Bones’ McCoy: Yeah. Well, I got nowhere else to go, the ex-wife took the whole damn planet in the divorce. All I got left is my bones.

The Power of Truth eBook describes in-depth how these Character Types are defined in their youth and as an adult.

The clarity and consistency of the characters are what make this summer’s Star Trek such an enjoyable voyage. A final thought– “Nature magically suits a man to his fortunes, by making them the fruit of his character.” Ralph Waldo Emerson

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