Transformers – ETB https://etbscreenwriting.com Screenwriting Fri, 22 Apr 2011 07:00:20 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 Summer Blockbuster Roundtable https://etbscreenwriting.com/summer-blockbuster-roundtable/?utm_source=rss&utm_medium=rss&utm_campaign=summer-blockbuster-roundtable https://etbscreenwriting.com/summer-blockbuster-roundtable/#respond Fri, 22 Apr 2011 07:00:20 +0000 http://etbscreenwriting.com//?p=4734 Jonathan Aibel (Kung Fu Panda 2, opening May 26); Greg Berlanti (Green Lantern, June 17); Ehren Kruger (Transformers: Dark of the Moon, July 1); Christopher Markus (Captain America: The First Avenger, July 22); Ashley Edward Miller (Thor, May 6) and Roberto Orci (Cowboys & Aliens, July 29) recently gathered to talk writing blockbusters in an exclusive discussion with THR. The conversation was funny and wry, and anyone who plans to go see any of these movies will surely enjoy the nuts and bolts exposed by the creative minds that built them.

http://www.hollywoodreporter.com/risky-business/watch-thr-s-full-summer-181150

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Nancy Meyers – It’s Complicated https://etbscreenwriting.com/nancy-meyers-its-complicated/?utm_source=rss&utm_medium=rss&utm_campaign=nancy-meyers-its-complicated https://etbscreenwriting.com/nancy-meyers-its-complicated/#respond Sun, 20 Dec 2009 14:30:43 +0000 http://etbscreenwriting.com//?p=2248 Meyers77014585_150The New York Times has a wonderful article about Nancy Meyers and women directors

PART AND PARCEL of (her) uniqueness is Meyers’s focus on making films that both feature and speak to middle-aged women, a demographic that studios traditionally ignore for fear of not bringing in the all-important opening-weekend numbers by which a movie’s position is assessed and its future success seemingly foretold. The simple truth is that any movie that is not aimed at 15-year-old boys, who come out in droves on Friday night for movies like “Transformers,” is seen as something of a risk. Movies like “It’s Complicated” unfold at the box office in a different pattern than movies that are skewed younger; their success is based more on long-range playability and word of mouth than on instant impact. Still, in a movie culture consumed by youth and its trappings — vampires, werewolves, stoners and superheroes — Meyers’s decision to pay attention to a part of the population that is often construed (and often construes itself) to be invisible stands out in bold relief. The fact that this decision has proved to be commercially shrewd says something about her instincts as a moviemaker but also says something about a previously unsatisfied hunger, composed of two parts daydream and one part hope, that is finally being addressed. “She’s a pioneer with regard to representing older women,” Diane Keaton said over lunch at the Beverly Hills Hotel. “She’s the only one delivering the fantasy for women over 55. You’re beautiful, charming and you get two guys instead of one.”

Full New York Time article about Nancy Meyers and It’s Complicated here.

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