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<\/a>I was looking for that hidden gem somewhere in my clever writer\u2019s mind, a treasure that I could uncover and, in turn, share with the world. But the issue with my writing was emotional, not intellectual.<\/p>\nI couldn\u2019t afford \u201cThe Character Map<\/a>\u201d book when I first came across it. I didn\u2019t even have room in my budget to eat more than peanut butter and jelly sandwiches every day and simple meals cooked at my apartment.<\/p>\n When I finally bought and read the book, I learned about myself in each of the six areas described on the map. For example, I wore a mask when I was around the girl who I was dating. I also realized how my brother\u2019s gift of encouraging people that I wanted was already a nascent seed in myself. And I had a fear of being considered unlovable. True feelings don\u2019t always feel good. But they are true, and a true foundation is the only kind that can be built on successfully.<\/p>\n I felt that I couldn\u2019t focus on the principles that I was learning in the book at first. They brought up emotions about my self that seemed to distract at the time. The book\u2019s character insights were helping me to face my true self, as I acknowledged the feelings that I had buried deep down because of pain I experienced in the past. Interestingly, I periodically met with a counselor during this same season of my life. The Character Map<\/a> allowed me to take what I was learning about the depths of my self and to understand that characters on the screen could be just as complex.<\/p>\n At first, it was an exercise to think through the different aspects of the Character Map<\/a>. I asked myself the questions outlined: what is my character\u2019s mask? Greatest fear? Dark side? In time, I was pleasantly surprised how my characters began to come alive on the page.<\/p>\n The best moments in the new draft of my script were no longer the clever moments, carefully crafted with smarts (my \u201cstrongest trait,\u201d as the character map describes it). Now there was a new layer to my script. It came out of my instincts, my emotions. And with practice, less of my emotion was stopped up between my initial gut instinct and the character\u2019s lines and actions on the page. My characters began to express their passions, becoming alive and active in my imagination. The mask over my True Self began to crack, breaking apart.<\/p>\n I was given a way of structuring the emotions that I gave my characters. The Character Map<\/a> gave me a way of charting my course, marrying the craft of screenwriting with the characters\u2019 raw, uncharted desires.<\/p>\n As I have continued to grow as a screenwriter, I have applied the questions of the Character Map<\/a>. They are ingrained in my process. And with my most recent screenplay, I have found that my characters are both bursting with emotion and acting according to a logic that is consistent with their personalities. There is a freedom in charting the depth of a character (their mask, their fears, etc.) because this depth of understanding allows me to improvise my characters\u2019 actions in a scene. Knowing my characters as well as I now do, I can imagine with clarity what it is they might do in the situations that they are in.<\/p>\n \u201cThe Father\u201d is the most recent film that I have written, and after eight feature-length screenplays, it is resonating with its readers in a deeply emotional and meaningful way. The main character, Jack, wakes up on a public sidewalk, wondering how he got there. He realizes that he has lost his memory. He wants to get back home. So much of this story takes place in Jack\u2019s head, as he remembers, so there is a danger of losing the audience with the meticulous nature of putting the expositional puzzle pieces together.<\/p>\n However, with the Character Map<\/a> questions there becomes an opportunity for writing a character that is so deeply known by the audience that the story can turn with the rising or diminishing of his greatest fear.<\/p>\n There is also the new and dynamic nature of an antagonist who has his own character map. This character is no longer a \u201cbad guy,\u201d with two or three dimensions at best, he is now a full-fledged and intricate enigma with his own greatest fear, weakness, strongest trait, and of course, a dark side. As Hitchcock said, \u201cIf I have a great antagonist, I can make a hero out of a milquetoast.\u201d This is crucial to writing a great character-driven film.<\/p>\n The minimalist screenplay that I am now writing tracks the inner journey of a character with success. The antagonist can now affect the protagonist by bringing out the protagonist\u2019s greatest fear. The protagonist can be hindered in his quest by his own strongest trait. And so a whole host of wild and engaging possibilities arise that I couldn\u2019t have hoped to wrangle in before.<\/p>\n The bottom line is that the emotion of my characters is colored vibrant on the page by their masks, fears, traits, and dark sides. The short film version of my project is impressing readers, the premise is holding the attention of strangers, and the concept trailer just released is getting emotional responses and audiences are watching it multiple times because of its intriguing characters.<\/p>\n The intricacies of a character \u2014 living or fictional \u2014 can be mesmerizing. The Character Map<\/a> has helped lead me to those hidden gems somewhere in my writer\u2019s heart, a treasure that I can uncover and, in turn, share with the world.<\/p>\n Evan Atwood is an award-winning filmmaker and screenwriter, who lives in Milwaukee, WI and works as a photojournalist to pay the bills. He has written, produced, and directed the short films “Forgiven,” and “The Neighbor,” which have both won awards for excellence. He is currently developing his first feature-length film, “The Father” (igg.me\/at\/thefatherfilm).<\/p>\n Links to short films:<\/p>\n “The Neighbor” — https:\/\/youtu.be\/9RozideZw-s<\/a><\/p>\n “Forgiven” — https:\/\/youtu.be\/gwPtvDM2a_0<\/a><\/p>\n