{"id":3957,"date":"2011-02-25T12:53:27","date_gmt":"2011-02-25T12:53:27","guid":{"rendered":"http:\/\/etbscreenwriting.com\/\/?p=3957"},"modified":"2021-07-30T21:46:04","modified_gmt":"2021-07-30T21:46:04","slug":"what-is-an-american-film-does-such-a-thing-still-exist","status":"publish","type":"post","link":"https:\/\/etbscreenwriting.com\/what-is-an-american-film-does-such-a-thing-still-exist\/","title":{"rendered":"What is an American Film?"},"content":{"rendered":"
\u201cHow many of you want to make an American film?\u201d<\/div>\n
Were we to have an extended dialogue about this question, I\u2019d try to lead you to a recognition that such a thing no longer exists. The MPAA recently released data on domestic and world box office figures for 2010. Worldwide box office totally $31.8 billion. Domestic box office was $10.6 billion. International (which used to be called \u201cforeign\u201d) was $21.2 billion.<\/div>\n
Thus, 2\/3rds of box office revenues now come from outside the United States.<\/div>\n
Domestic box office has increased about 15% since 2006, but that\u2019s in dollars, not attendance. In fact, attendance dropped 5% this year, but income managed to equal that of 2009 because of higher ticket prices, especially for 3D.<\/div>\n
In contrast to the declining American box office, since 2006, international box office has increased 30%.<\/div>\n
For much of the past 15-20 years, I and most others have been saying that box office revenues for American studio films were roughly split between foreign and domestic.<\/div>\n
The fact that box office revenues are now 2\/3rds foreign and 1\/3 domestic explains a lot about what the industry is \u2013 and is not \u2013 interested in. One of the things it\u2019s not interested in is something that\u2019s simply an American film.<\/div>\n
The MPAA data is at http:\/\/www.mpaa.org\/Resources\/653b11ee-ee84-4b56-8ef1-3c17de30df1e.pdf<\/div>\n
\n

\"\"

\n
Were we to have an extended dialogue about this question, I\u2019d try to lead you to a recognition that such a thing no longer exists.<\/div>\n
.<\/span><\/div>\n
The MPAA recently released data on domestic and world box office figures for 2010. Worldwide box office totally $31.8 billion. Domestic box office was $10.6 billion. International (which used to be called \u201cforeign\u201d) was $21.2 billion.<\/div>\n
.<\/span><\/div>\n
Thus, 2\/3rds of box office revenues now come from outside the United States.<\/div>\n
.<\/span><\/div>\n
Domestic box office has increased about 15% since 2006, but that\u2019s in dollars, not attendance. In fact, attendance dropped 5% this year, but income managed to equal that of 2009 because of higher ticket prices, especially for 3D.<\/div>\n
.<\/span><\/div>\n
In contrast to the declining American box office, since 2006, international box office has increased 30%.<\/div>\n
.<\/span><\/div>\n
For much of the past 15-20 years, I and most others have been saying that box office revenues for American studio films were roughly split between foreign and domestic.<\/div>\n
.<\/span><\/div>\n
The fact that box office revenues are now 2\/3rds foreign and 1\/3 domestic explains a lot about what the industry is \u2013 and is not \u2013 interested in.<\/div>\n
.<\/span><\/div>\n
One of the things it\u2019s not interested in is something that\u2019s simply an American film.<\/div>\n
.<\/span><\/div>\n
The MPAA data is at http:\/\/www.mpaa.org\/Resources\/653b11ee-ee84-4b56-8ef1-3c17de30df1e.pdf<\/a><\/div>\n<\/blockquote>\n
Those of you who have been following this website for any length of time know my indebtedness to Howard Suber on every professional and intellectual level. \u00a0He continues to be my mentor and guru on all things story, character and film. His wonderful book is here: \u00a0http:\/\/thepoweroffilm.com\/<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Howard Suber argues there is no such thing as an “American” film any more.<\/p>\n","protected":false},"author":2,"featured_media":11959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"nf_dc_page":"","_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[44,48,47],"tags":[25,26,27,28,30,208,31,32,33,34,35,36,37,38,39,40,41,42],"class_list":["post-3957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nine-character-types-development-script-screenwriting-movie-film-tv-video-online-scripted-drama","category-movies-character-development-screenwriting-screenplay-script-blog","category-random-thoughts-pop-culture-political-movie-television-blog","tag-character","tag-characters","tag-emotional-toolbox","tag-etb","tag-film","tag-filmmaking","tag-films","tag-laurie-hutzler","tag-movies","tag-nine-character-types","tag-screenplay","tag-screenplays","tag-screenwriting","tag-script","tag-scripts","tag-scriptwriting","tag-tv","tag-writing"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-150x150.jpg",150,150,true],"medium":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-300x225.jpg",300,225,true],"medium_large":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-768x576.jpg",768,576,true],"large":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"ttshowcase_normal":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",125,94,false],"ttshowcase_small":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",75,56,false],"1536x1536":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"2048x2048":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"Image Size 500x500":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",500,375,false],"woocommerce_thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-300x400.jpg",300,400,true],"woocommerce_single":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-600x450.jpg",600,450,true],"woocommerce_gallery_thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-100x100.jpg",100,100,true]},"uagb_author_info":{"display_name":"Laurie Hutzler","author_link":"https:\/\/etbscreenwriting.com\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Howard Suber argues there is no such thing as an \"American\" film any more.","_links":{"self":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts\/3957"}],"collection":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/comments?post=3957"}],"version-history":[{"count":0,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts\/3957\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/media\/11959"}],"wp:attachment":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/media?parent=3957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/categories?post=3957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/tags?post=3957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}