{"id":4807,"date":"2011-09-24T08:00:15","date_gmt":"2011-09-24T07:00:15","guid":{"rendered":"http:\/\/etbscreenwriting.com\/\/?p=4807"},"modified":"2011-09-24T08:00:15","modified_gmt":"2011-09-24T07:00:15","slug":"the-power-of-truth-at-the-emmys","status":"publish","type":"post","link":"https:\/\/etbscreenwriting.com\/the-power-of-truth-at-the-emmys\/","title":{"rendered":"The Power of Truth at the Emmys"},"content":{"rendered":"
Before we go any further let\u2019s look at what a Power of Truth story is not.<\/div>\n
Erin Brockovich, To Kill a Mockingbird, Silkwood and The Insider all involve some kind of criminal conspiracy. \u00a0A crime is committed. \u00a0Evidence is falsified or covered-up. \u00a0The protagonist wants to expose these crimes and stop or punish the real wrong-doers. \u00a0But these stories are not Power of Truth stories. \u00a0Why?<\/div>\n
Each of these stories deal with the Power of Conscience. \u00a0In each case, the protagonist is clear about what happened (or is happening) and what is morally right. \u00a0The story struggle is about what to do to right the wrong. \u00a0How much responsibility can or should the protagonist take in the situation? \u00a0These stories \u00a0ask, \u201cIf I am my brother\u2019s keeper how far must I go on his behalf?\u201d<\/div>\n
The Power of Conscience character\u2019s answer to the above question is: \u00a0\u201dAll the way.\u201d \u00a0Once the character has decided to right the wrong, the question then is how to prevail. \u00a0This character\u2019s pursuit of justice costs him or her dearly. \u00a0This protagonist often gives up or loses his or her job, family or other important relationships and suffers \u00a0staggering personal and financial losses on the story \u00a0journey. These stories are about law vs. justice, answering the call to one\u2019s higher duty, standing up for one\u2019s moral code, and taking responsibility for and sacrificing for another\u2019s welfare.<\/div>\n
The Devil\u2019s Advocate, Wall Street, Catch Me If You Can and The Talented Mr. Ripley all involve crimes and cover-ups to a greater or lesser degree. \u00a0Active deception is involved in all four stories. \u00a0But these stories are not Power of Truth stories either. \u00a0Why?<\/div>\n
Each of these films deals with the Power of Ambition. \u00a0In each \u00a0story, the protagonist knows what he is doing is wrong or illegal. \u00a0Each man proceeds anyway in order to achieve or maintain the approval, prestige, status, or position he so desperately craves.<\/div>\n
These stories are about how far a protagonist is willing to go for material or social gain. These characters let their moral scruples go one by one and they are willing to lie, cheat and steal to get ahead. \u00a0They are keenly and acutely aware of their social standing and are willing to use any kind of fraud, trick or deception to maintain an illusion of their social or material success. \u00a0At the end, when these characters have nearly lost everything that matters on a human scale, they often reform their ways and \u201cdo the right thing.\u201d \u00a0If the story is a tragedy they continue in their illegal or illicit ways until they and everything that matters to them is hollowed out or destroyed.<\/div>\n
The Godfather Trilogy, Scarface, The Last Seduction and The Sopranos all involve criminal activity, the suppression of evidence and the elimination of anyone who interferes. \u00a0But not one of these are Power of Truth stories. \u00a0Why?<\/div>\n
These are stories are about power. \u00a0Each of these Power of Will protagonists does whatever wrong he or she must do to survive, to expand territory or to conquer others. \u00a0There is no struggle with morality. \u00a0There is no ambiguity or uncertainty. \u00a0Might makes right. \u00a0The Law of the Jungle prevails. \u00a0Win or die.<\/div>\n
Never showing a sign of weakness is key to every decision this character makes \u00a0and every action he or takes over the course of the story. \u00a0These characters say to themselves and others: \u201cI had no choice. I had to protect myself, my empire or my family.\u201d \u00a0They sacrifice tenderness, kindness, a sense of mercy and forgiveness to dominate the situation, which leads inevitably to the loss of their humanity, their soul, often their lives. \u00a0Those who live by sword tend to die by the sword.<\/div>\n
The Sherlock Holmes mysteries, Dr. Jekyll and Mr. Hyde, The Professional and In the Bedroom all involve crimes and cover-ups. But none of these stories are Power of Truth stories either. \u00a0Why?<\/div>\n
These are Power of Reason stories about logical deduction, the mastering or attempted elimination of emotion (emotion being the enemy of objectivity) and some profound alienation from society. \u00a0Dr. Gregory House, the medical detective and master diagnostician in the television series House, is another great example of this kind of character and story.<\/div>\n
Dr. House investigates each medical case with keen powers of observation, a ruthless razor sharp logic and penetrating rational deduction. He is alienated from everyone andmanages to alienate everyone around him. \u00a0The patient is more of a puzzle to be solved than a human being to be nurtured and healed.<\/div>\n
In Power of Truth stories ambiguity and deception might be hiding the solution to the problem or crime, but the protagonist is absolutely clear-headed (often to the point of near inhuman dispassion). \u00a0There is little personal investment in the investigation merely a difficult puzzle to be solved.<\/div>\n
I recently watched the film made from the play Equus. \u00a0A young man inexplicably blinds six horses at the stable where he worked as a caring responsible stable hand. \u00a0He is committed to a mental institution where an experienced psychiatrist tries to solve the mystery and heal the boy.<\/div>\n
This isn\u2019t a Power of Truth story either. \u00a0The psychiatrist is a disillusioned Power of Idealism character. \u00a0He wonders if healing the boy of his passion and madness, only to send him into a dispassionate world and a dull ordinary life, is a noble thing to do. \u00a0This film is about the price of passion and whether pain is the price of being truly alive even if for only a horrifying or mad moment.<\/div>\n
The trick to all of this is to determine what the mystery brings out in the character. \u00a0What is at the root of the crime, the murder, the conspiracy, the unusual phenomena or strange occurrence? \u00a0What does the solution, and how it is obtained, say about how the character views the world, his or her philosophy and essential human struggle?<\/div>\n

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It is a quintessential Power of Truth story and is anchored by a wonderful Power of Truth protagonist, Don Draper\/Dick Whitman (Jon Hamm). Surface laughter, glamour and the sophisticated tinkle of ice in a cut-glass tumbler of scotch obscures the dark and tangled subterranean underpinnings of the man, the profession and the era. All is not well in the American “Camelot” and its aftermath.<\/p>\n

In addition to issues of perception, illusion and deception, Power of Truth stories are also about the nature of loyalty and betrayal. These stories ask: What exactly is loyalty? What is betrayal? How do we betray ourselves? How do we betray others? Can you be loyal to someone and betray them at the same time? When should you let go of old loyalties and move on? \u00a0How is the ground shifting beneath you? \u00a0Who or what can you trust? When does loyalty look like betrayal? \u00a0When does betrayal look like loyalty?<\/p>\n

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Power of Truth characters inhabit a story world that is a potential minefield, filled with explosive secrets, concealed enemies and unexpected pitfalls. This character\u2019s philosophy might be stated: \u201cThings are never what they seem.\u201d \u201cTrust no one.\u201d \u201cQuestion everything.\u201d \u201cEveryone has a hidden agenda.\u201d<\/p>\n

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Can she trust her husband? \u00a0 Can she trust herself? \u00a0Who is betraying her? Who is she willing to betray? \u00a0Who is really an ally and who is really an enemy? \u00a0Secrets, lies, and lack of trust all play key roles in the plot twists for each episode.<\/p>\n

On a personal level, Power of Truth protagonists are all hyper-aware of shifting alliances and are always on the lookout for possible falseness, duplicity or treachery in any relationship or situation. These characters are very imaginative and perceptive and that creativity and sensitivity can also get them into trouble. They can spin disaster scenarios or conspiracy theories inside their heads that have no basis in reality.<\/p>\n

But then again, as Woody Allen famously said: \u00a0“Just because you’re paranoid doesn’t mean they aren’t really after you.” \u00a0Power of Truth character often sense something is amiss in the world before others do. \u00a0They just can’t prove their suspicions– yet.<\/p>\n

The Power of Truth character asks, \u201cWhat does society demand, expect or value?\u201d\u2014and then often sets out to debunk or disprove the answer. These characters are compelled to uncover the concealed nature and (often rotten) underbelly of things.<\/p>\n

A character driven by the Power of Truth is often the protagonist in mystery stories, conspiracy stories, suspense stories, mistaken identity stories, investigative stories and detective stories. In an ensemble cast, these characters are frequently secret keepers, strategists, counselors or advisers. In whatever role they play, they look beneath the surface of things to discover what lies below or is hidden from view. \u00a0They ask: “What don’t those in charge want you to see?”<\/p>\n

Power of Truth character Fox Mulder (David Duchovny) on The X Files<\/strong> voices his frustrations and the futility of nailing down the ever shifting truth in these kinds of stories: \u201cWhy is it that every time I think I know the answers, someone goes and changes the questions?\u201d Nothing is quite what it seems in Power of Truth stories. \u00a0Nothing is certain. \u00a0The ground keeps slipping from beneath the protagonist.<\/p>\n

But not every conspiracy story, mystery, suspense story, thriller or detective story is a Power of Truth story.<\/p>\n

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Each of these stories deal with the Power of Conscience<\/a>. \u00a0In each case, the protagonist is clear about what has happened (or is happening) and what is morally right. \u00a0The story struggle is about what to do to right the wrong. \u00a0How much responsibility can or should the protagonist take in the situation? \u00a0These stories ask, \u201cIf I am my brother\u2019s keeper how far must I go on his behalf?\u201d<\/p>\n

The Power of Conscience<\/a> character\u2019s answer to the above question is: \u00a0\u201dAll the way.\u201d \u00a0Once the character has decided to right the wrong, the question then is how to prevail. \u00a0This character\u2019s pursuit of justice costs him or her dearly. \u00a0This protagonist often gives up or loses his or her job, family or other important relationships or suffers other personal losses on the story \u00a0journey.<\/p>\n

These stories are about law vs. justice, answering the call to one\u2019s higher duty, standing up for one\u2019s moral code, and taking responsibility for and sacrificing for another\u2019s welfare. \u00a0At the 2011 Emmys, Kyle Chandler (Coach Taylor) on Friday Night Lights<\/strong>, plays a Power of Conscience character and took home the award for Best Actor in a Dramatic Series. \u00a0(He plays a high school football coach and is not involved in a crime story.)<\/p>\n

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Each of these stories deals with the Power of Ambition<\/a>. Each protagonist knows what he is doing is wrong or illegal. \u00a0Each proceeds anyway in order to achieve or maintain the approval, prestige, status, or position he so desperately craves.<\/p>\n

These stories are about how far a protagonist is willing to go for material or social gain. Power of Ambition<\/a> characters let their moral scruples go one-by-one as they \u00a0lie, cheat or steal to get ahead. \u00a0They are keenly and acutely aware of their social standing and are willing to use any kind of fraud, trick, deception or cover-up to maintain their illusion of social or material success. \u00a0All they want is to be liked and to be admired.<\/p>\n

At the end, when these characters have nearly lost everything that matters on a human scale, they often reform their ways and \u201cdo the right thing.\u201d \u00a0If the story is a tragedy they continue in their illegal or illicit ways until they and everything that truly matters is hollowed out or destroyed.<\/p>\n

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These are stories are about strength vs weakness. \u00a0Each of these Power of Will<\/a> protagonists does whatever is needed to survive, to expand territory or to conquer others. \u00a0There is no ambiguity or uncertainty in their actions. Might makes right. \u00a0The Law of the Jungle prevails. \u00a0Win or die.<\/p>\n

Never showing any sign of weakness is key to every decision a Power of Will<\/a> character makes and every action he or takes over the course of the story. \u00a0These characters say to themselves and others: \u201cI had no choice. I had to protect myself, my empire or my family.\u201d<\/p>\n

They sacrifice tenderness, kindness, a sense of mercy and forgiveness to dominate and forcibly control the situation. \u00a0These actions lead inevitably to the loss of their humanity, their soul, and often their lives. \u00a0Those who live by sword tend to die by the sword. \u00a0(A key difference between a Power of Will character and a Power of Ambition character is that a Power of Ambition character really wants to be liked. \u00a0A Power of Will character would rather be feared.)<\/p>\n

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These are Power of Reason<\/a> stories about logical deduction, the mastering or attempted elimination of emotion (emotion being the enemy of objectivity) and some profound alienation from society. \u00a0Dr. Gregory House, the medical detective and master diagnostician in the television series House<\/strong>, is a television example of a Power of Reason<\/a> character and story.<\/p>\n

Dr. House investigates each medical case with keen penetrating powers of observation, a ruthless razor sharp logic and cold rational deduction. He is alienated from others and usually manages to alienate everyone around him. \u00a0The patient is more of a puzzle to be solved than a human being to be nurtured and healed.<\/p>\n

In Power of Reason<\/a> stories ambiguity and deception might be hiding the solution to the problem or crime, but the protagonist is absolutely clear-headed (often to the point of near inhuman dispassion). \u00a0There is little personal investment in the investigation, merely a difficult puzzle to be solved. \u00a0At the 2011 Emmys,\u00a0Jim Parsons (Sheldon Cooper) on The Big Bang Theory <\/strong>plays a comic Power of Reason character who took home the award for Best Actor in a Comedy Series. \u00a0(He is a scientist involved in research rather than in any kind of criminal investigation.)<\/p>\n

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This isn\u2019t a Power of Truth story either. \u00a0The psychiatrist\/investigator is a disillusioned Power of Idealism<\/a> character. \u00a0He wonders if healing the boy of his passion and madness, only to send him into a stupefyingly mundane world and a dull ordinary life, is a noble thing to do. \u00a0This film is about the intensity of passion and whether pain is the price of being truly alive, even if for only a horrifyingly insane moment.<\/p>\n

The trick to all of this analysis is to determine what the situation and story journey brings out in the character. What is at the root of the crime, the murder, the conspiracy, the unusual phenomena or suspenseful situation? \u00a0What does the solution, and how it is obtained, say about how the character views the world, his or her philosophy and essential human struggle?<\/p>\n

Power of Truth stories wrestle primarily with certainty vs uncertainty, illusion vs reality, loyalty vs betrayal or truth vs lies or deception. In these stories the protagonist can’t fully trust anyone\u2014not even him or herself.<\/p>\n

My new book discusses exactly how to create a rich compelling plot for a Power of Truth story, how to use suspense and reversals to keep the audience engaged and guessing at every twist, how to develop fresh original characters and how to make this kind of story your own.<\/p>\n

The book will be available for a short time at a discount to readers of this blog and newsletter. \u00a0Send an email to etbscreenwriting (at) gmail (dot) com to get on the list.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nothing is quite what it seems in Power of Truth stories. Nothing is certain. The ground keeps slipping from beneath the protagonist.<\/p>\n","protected":false},"author":2,"featured_media":11959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[59,45],"tags":[1153,25,26,549,694,27,1154,571,28,30,31,389,695,699,32,551,33,34,772,35,36,37,38,39,40,1010,1011,1155,1156,1157,744,774,775,640,863,553,41,678,42],"class_list":["post-4807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-power-of-truth","category-video-clips-television-movies-series","tag-catch-me-if-you-can","tag-character","tag-characters","tag-emmy","tag-emmys","tag-emotional-toolbox","tag-equus","tag-erin-brockovich","tag-etb","tag-film","tag-films","tag-game-of-thrones","tag-house","tag-jekyll-and-hyde","tag-laurie-hutzler","tag-mad-men","tag-movies","tag-nine-character-types","tag-scarface","tag-screenplay","tag-screenplays","tag-screenwriting","tag-script","tag-scripts","tag-scriptwriting","tag-sherlock","tag-sherlock-holmes","tag-silkwood","tag-the-devils-advocate","tag-the-good-wife","tag-the-insider","tag-the-last-seduction","tag-the-shield","tag-the-sopranos","tag-the-talented-mr-ripley","tag-the-x-files","tag-tv","tag-wall-street","tag-writing"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-150x150.jpg",150,150,true],"medium":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-300x225.jpg",300,225,true],"medium_large":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-768x576.jpg",768,576,true],"large":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"ttshowcase_normal":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",125,94,false],"ttshowcase_small":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",75,56,false],"1536x1536":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"2048x2048":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"Image Size 500x500":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",500,375,false],"woocommerce_thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-300x400.jpg",300,400,true],"woocommerce_single":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-600x450.jpg",600,450,true],"woocommerce_gallery_thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-100x100.jpg",100,100,true]},"uagb_author_info":{"display_name":"Laurie Hutzler","author_link":"https:\/\/etbscreenwriting.com\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Nothing is quite what it seems in Power of Truth stories. Nothing is certain. The ground keeps slipping from beneath the protagonist.","_links":{"self":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts\/4807"}],"collection":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/comments?post=4807"}],"version-history":[{"count":0,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts\/4807\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/media\/11959"}],"wp:attachment":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/media?parent=4807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/categories?post=4807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/tags?post=4807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}