{"id":5044,"date":"2012-02-21T16:02:57","date_gmt":"2012-02-21T16:02:57","guid":{"rendered":"http:\/\/etbscreenwriting.com\/\/?p=5044"},"modified":"2012-02-21T16:02:57","modified_gmt":"2012-02-21T16:02:57","slug":"extremely-loud-incredibly-close","status":"publish","type":"post","link":"https:\/\/etbscreenwriting.com\/extremely-loud-incredibly-close\/","title":{"rendered":"Extremely Loud &#038; Incredibly Close"},"content":{"rendered":"<p><a href=\"http:\/\/etbscreenwriting.com\/\/wp-content\/uploads\/2012\/02\/BOY-ACADEMY32.jpg\"><img decoding=\"async\" class=\"alignleft size-thumbnail wp-image-5047 lazyload\" style=\"--smush-placeholder-width: 150px; --smush-placeholder-aspect-ratio: 150\/150;margin: 5px;\" title=\"BOY-ACADEMY32\" data-src=\"http:\/\/etbscreenwriting.com\/\/wp-content\/uploads\/2012\/02\/BOY-ACADEMY32-150x150.jpg\" alt=\"BOY-ACADEMY32\" width=\"150\" height=\"150\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" \/><noscript><img decoding=\"async\" class=\"alignleft size-thumbnail wp-image-5047\" style=\"margin: 5px;\" title=\"BOY-ACADEMY32\" src=\"http:\/\/etbscreenwriting.com\/\/wp-content\/uploads\/2012\/02\/BOY-ACADEMY32-150x150.jpg\" alt=\"BOY-ACADEMY32\" width=\"150\" height=\"150\" \/><\/noscript><\/a>Some books just don&#8217;t make good movies, <strong>Extremely Loud &amp; Incredibly Close<\/strong> is a prime example. \u00a0I read the book and loved it. The book was too dense and complex to make a satisfying movie adaptation. \u00a0A prime example is the appearance of The Renter (Max von Syndow). \u00a0He is a confusing character in the film but plays a large and richly detailed role in the novel.<\/p>\n<p>David Denby writing in <strong>The New Yorker<\/strong> puts his finger on another problem:<\/p>\n<div id=\"_mcePaste\" style=\"position: absolute; left: -10000px; top: 18px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;\">The boy\u2019s voice, as Foer creates it, is a babbling brook of hopes and questions and bits of information on every imaginable subject. In the novel, we can enjoy all of this heroic spieling and exploring as a form of antic play. It never occurs to us that an actual little boy, however bright, however maddened by grief, could talk this way. Oskar\u2019s voice is a writer\u2019s virtuoso construction, and Foer combines it with the voice of Oskar\u2019s grandfather, photographs of falling bodies, odd dialogues, lists of numbers, garbled paragraphs, nearly blank pages, and many other typographical adventures. The novel is a kind of postmodernist collage stained with tear.<\/div>\n<div id=\"_mcePaste\" style=\"position: absolute; left: -10000px; top: 18px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;\">Much of what Oskar says in the book is amusingly beside the point. Onscreen, however, the sound of a hyper-articulate boy talking semi-nonsense becomes very hard to take.<\/div>\n<blockquote><p>The boy\u2019s voice, as (author Jonathan Safran) Foer creates it, is a babbling brook of hopes and questions and bits of information on every imaginable subject. In the novel, we can enjoy all of this heroic spieling and exploring as a form of antic play. It never occurs to us that an actual little boy, however bright, however maddened by grief, could talk this way. Oskar\u2019s voice is a writer\u2019s virtuoso construction, and Foer combines it with the voice of Oskar\u2019s grandfather, photographs of falling bodies, odd dialogues, lists of numbers, garbled paragraphs, nearly blank pages, and many other typographical adventures. The novel is a kind of postmodernist collage stained with tear&#8230; Much of what Oskar says in the book is amusingly beside the point. Onscreen, however, the sound of a hyper-articulate boy talking semi-nonsense becomes very hard to take.<\/p><\/blockquote>\n<p>I agree. \u00a0The &#8220;voices&#8221; in the book did not translate well into film, which is way too literal to capture the author&#8217;s delicacy, humor, and fantastical imagination.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some books just don&#8217;t make good movies, Extremely Loud &#038; Incredibly Close is a prime example.<\/p>\n","protected":false},"author":2,"featured_media":11959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"nf_dc_page":"","_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[48],"tags":[109,110,25,26,27,28,1184,30,31,32,33,34,113,35,36,37,38,39,40,427,41,42],"class_list":["post-5044","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies-character-development-screenwriting-screenplay-script-blog","tag-academy-award","tag-academy-awards","tag-character","tag-characters","tag-emotional-toolbox","tag-etb","tag-extremely-loud-and-incredibly-close","tag-film","tag-films","tag-laurie-hutzler","tag-movies","tag-nine-character-types","tag-oscars","tag-screenplay","tag-screenplays","tag-screenwriting","tag-script","tag-scripts","tag-scriptwriting","tag-tom-hanks","tag-tv","tag-writing"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-150x150.jpg",150,150,true],"medium":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-300x225.jpg",300,225,true],"medium_large":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-768x576.jpg",768,576,true],"large":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"ttshowcase_normal":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",125,94,false],"ttshowcase_small":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",75,56,false],"1536x1536":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"2048x2048":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",960,720,false],"Image Size 500x500":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n.jpg",500,375,false],"woocommerce_thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-300x400.jpg",300,400,true],"woocommerce_single":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-600x450.jpg",600,450,true],"woocommerce_gallery_thumbnail":["https:\/\/etbscreenwriting.com\/wp-content\/uploads\/2018\/04\/30710870_10211699141895539_4496568718662303744_n-100x100.jpg",100,100,true]},"uagb_author_info":{"display_name":"Laurie Hutzler","author_link":"https:\/\/etbscreenwriting.com\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"Some books just don't make good movies, Extremely Loud & Incredibly Close is a prime example.","_links":{"self":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts\/5044"}],"collection":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/comments?post=5044"}],"version-history":[{"count":0,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/posts\/5044\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/media\/11959"}],"wp:attachment":[{"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/media?parent=5044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/categories?post=5044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etbscreenwriting.com\/wp-json\/wp\/v2\/tags?post=5044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}