{"id":5618,"date":"2013-02-26T11:22:51","date_gmt":"2013-02-26T11:22:51","guid":{"rendered":"http:\/\/etbscreenwriting.com\/\/?p=5618"},"modified":"2021-07-30T22:04:16","modified_gmt":"2021-07-30T22:04:16","slug":"the-power-of-conscience-at-the-oscars","status":"publish","type":"post","link":"https:\/\/etbscreenwriting.com\/the-power-of-conscience-at-the-oscars\/","title":{"rendered":"Power of Conscience at the Oscars"},"content":{"rendered":"
There were several compelling Power of Conscience<\/a> character who figured prominently in the 2013 crop of Oscar films. Power of Conscience<\/a> characters typically wrestle with a specific set of key issues in a story. These include:<\/p>\n How much bad am I willing to do in the cause of good?<\/strong><\/p>\n <\/p>\n Bigelow explains in an interview<\/a>, \u201cI think what\u2019s so interesting and so poignant for Jessica, myself, for all of us, is this idea that this woman (Maya) has spent the last ten years exclusively in the pursuit of one man and yes, at the end of the day, she triumphed, but it\u2019s not a victory because finally, at the end of the day, you\u2019re left with much larger questions like, where does she go from here? Where do we go from here? Now what?\u201d Chastain adds, \u201cI find that to end the film on that question is far more interesting than providing an answer.\u201d<\/p><\/blockquote>\n Can I find the flexibility, the forgiveness, or the mercy to make reasonable compromises?<\/strong><\/p>\n At the time Stevens said: “Believing then, that this is the best proposition that can be made effectual, I accept it. I shall not be driven by clamor or denunciation to throw away a great good because it is not perfect. I will take all I can get in the cause of\u00a0humanity and leave it to be perfected by better men in better times.”<\/p>\n Steven’s leap of faith was being flexible enough to allow an imperfect bill to pass because that served the greater good.<\/p>\n <\/p>\n<\/a>In Lincoln<\/strong>, written by Tony Kushner and directed by Steven Spielberg, President Lincoln so firmly believes in the necessity of Emancipation that he is willing to authorize all manner of arm-twising, dirty deals, and political bribery to get the bill passed. \u00a0At the time, Thaddeus Stevens, played in the movie by Tommy Lee Jones, said, “”The greatest measure in the nineteenth century was passed by corruption, aided and abetted by the purest man in America.”<\/p>\n
<\/a>In Zero Dark Thirty<\/strong>, written by Mark Boal and directed by Katherine Bigelow, a young CIA operative called Maya, played by Jessica Chastain, is obsessed with finding and killing Osama Bin Ladin. She is involved in morally reprehensible torture in order to help track down her quarry. \u00a0She is driven and relentless, so much so that when she is successful she has no idea what to do next.<\/p>\n
<\/a>In Lincoln<\/strong>, the person that has a real protagonist\u2019s journey is Tommy Lee Jones in the role of Thaddeus Stevens. Stevens spent his political life advocating for total Negro emancipation, including the right to vote and own property. He was adamant and uncompromising. In the final, down-to-the-wire vote-taking, Stevens must turn his back on everything he has always stood for in order to assure that Lincoln\u2019s lesser bill passes. Steven\u2019s struggles mightily with his conscience but finally allows practicality to win.<\/p>\n
<\/a>In the film, Les Miserables<\/strong>, written by William Nicholson and directed by Tom Hopper,\u00a0prison guard Javert, played by Russell Crowe, cannot compromise his strict moral standards. \u00a0He finds it impossible to have mercy and not enforce the strict letter of the law. \u00a0What is legal is not always just. \u00a0And what is just is not always legal. \u00a0This is a great dilemma for Power of Conscience characters. \u00a0Javert is in such conflict that he would rather kill himself rather than compromise his precise and rigid sense of duty in favor of what is just and merciful.<\/p>\n
<\/a>In the animated film,\u00a0Brave<\/strong>, written by\u00a0Mark Andrews, Steve Purcell, Brenda Chapman, and Irene Mecchi, and directed by Andrews and Chapman and co-directed by Purcell,\u00a0Queen Elinor is a Power of Conscience<\/a> character. She is a strict and demanding taskmaster, a perfectionist, and is driven by a strong sense of tradition and royal responsibility. Over the course of the story she finds the flexibility to recognize her daughter\u2019s uniqueness and she learns to fully appreciate Merida for who she is.<\/p>\n