#WritingAdviceWednesday – A testimony of The Character Map in action
Continue readingThe Magic of Franchises
Audiences Reward Movie Franchises When They Take Time and Care
Continue readingHamilton & Troy: Epic Hero Stories
#TypesTuesday – Epic Hero Stories & Power of Idealism
Continue readingStories of Love and Loss
#TypesTuesday – Separated Lovers is a Power of Idealism Story
Continue reading#ThinkpieceThursday – A Character’s Journey in a Non-Linear Film
#ThinkpieceThursday – Writing A Character’s Journey Out Of Order
Continue reading#ThinkpieceThursday – Rev. and Crisis of Faith
#ThinkpieceThursday – Best British Sitcom in years depicts Crisis of Faith
Continue reading#TypesTuesday – Your Character’s Faith
#TypesTuesday – Consider The Impact Of Faith When Writing Your Characters
Continue reading#TypesTuesday – Poirot and House: One and the Same?
#TypesTuesday – Two Power of Reason Detectives, both abrasive!
Continue reading#MondayMusings – Stones and Bones
#MondayMusings – The Dawn of Humankind
Continue reading#ThinkpieceThursday – I Am Not A Witch
#ThinkpieceThursday – Staying in Drought-threatened Cape Town Echoed a Movie
Continue reading#TypesTuesday – The Odd Couple: Excitement and Reason
#TypesTuesday – One of the funniest friendships in Cinema history
Continue reading#ThinkpieceThursday – Tsotsi and the Birth of a Film #ETBSA
#ThinkpieceThursday – An Oscar-Winner dreamed in my dining room
Continue reading#TypesTuesday – Black Panther #ETBSA
#TypesTuesday – Wakanda Forever!
Continue reading#ThinkpieceThursday – Where are the Women?
#ThinkpieceThursday – Split Best Director
Continue reading#TypesTuesday – White God and Power of Love
#TypesTuesday – one of the most incredible movies in years is Power of Love
Continue reading#WritingAdviceWednesday – Making Monsters Relatable
#WritingAdviceWednesday – Treat a Monster the same as any Human Character
Continue reading#TypesTuesday – Immigrant Stories and Power of Love
#TypesTuesday – Immigration and Assimilation Stories are Romantic Comedies
Continue reading#ThinkpieceThursday – Crafting Characters In Documentaries
#ThinkpieceThursday – Documentaries must Craft Characters
Continue reading#TypesTuesday – Katharine Hepburn and Power of Conscience
#TypesTuesday- Katharine Hepburn was always Power of Conscience
Continue reading#TypesTuesday – Actors as Character Types: Kyle Chandler
#TypesTuesday – Kyle Chandler is the go-to guy for Power of Conscience
Continue reading#ThinkpieceThursday – Whistleblowers
#ThinkpieceThursday – Whistleblowers are Power of Conscience characters
Continue reading#MondayMusings – 2017 Review
#MondayMusings – My review of the year
Continue reading#ThinkpieceThursday – Why I Kept Watching Downton Abbey
#ThinkpieceThursday – You can love something even if it’s not very good
Continue reading#BeFabFriday – Nothing Is More Important than Your Characters
#BeFabFriday – Characters over Plot, every time
Continue reading#ThinkpieceThursday – The Blade Runner films and Vulnerability
#ThinkpieceThursday – A character’s vulnerability changes audience perception
Continue reading#TypesTuesday – Three Silent Greats
#TypesTuesday – Action Speaks Louder than Words
Continue reading#ThinkpieceThursday – Music in Film
#ThinkpieceThursday – Music elevates emotion. It should NOT tell you how to feel
Continue reading#TypesTuesday – Schindler and Spider-Man: What It Takes to Be a Hero
#TypesTuesday – Sacrifice and Heroism
Continue readingReading ‘N’ Writing
#BeFabFriday – If you want to write well, then you have to read.
Continue readingGenre Is Meaningless
#ThinkpieceThursday – Chinatown and Apocalypse Now are the same film
Continue reading#ThrowbackThursday- Aardman, Bristol and Me
#ThrowbackThursday – Why I moved to Bristol
Continue reading#MondayMusings – Scandi Noir & Casting
#MondayMusings – Scandi Noir and Casting : No “Hollywood Teeth
Continue readingCoincidence Tanks Top of the Lake: China Girl
#ThinkpieceThursday – Contrived coincidences make Top of the Lake: China Girl lose credibility
Continue readingBatman v Sherlock: Comparing Reason and Truth
#TypesTuesday – Batman vs Sherlock Holmes
Continue readingZero Dark Thirty and Power of Conscience
#TypesTuesday – The Dark Side of Power of Conscience
Continue readingJames Bond – From Power of Excitement to Power of Reason
#TypesTuesday – From Excitement to Reason, 007 style!
Continue readingDestructive Lovers
#ThinkpieceThursday – Character Types affect relationships as well as individuals
Continue readingCharacters Have To Come First
Blockbusters need to set up Characters, instead of Sequels! #ThinkpieceThursday
Continue readingWhen Harry Met Sally – Breaking The Mold
#WritingAdviceWednesday – Emotion transcends Genre
Continue readingDunkirk: Failure Presented as Triumph
#ThinkpieceThursday – Dunkirk, the untold story
Continue readingCut Cut Cut
#WritingAdviceWednesday – What you lose is just as important as what you keep
Continue readingThe Hurt Locker – Power of Idealism
#TypesTuesday – The Hurt Locker & The Power of Idealism are an Oscar worthy combination
Continue readingNora Ephon Lights the Way
#ThinkpieceThursday – How Nora Ephron affected one writer
Continue readingIsolation
Isolation is part of the DNA of great movies
Continue readingWhy is the Cop on the Job?
“Why” cops do what they are do and “Why” they are affected by the job
Continue readingTracy Flick & Hillary Clinton – Power of Conscience
#TypesTuesday – Tracy and Hillary are Power of Conscience unleashed.
Continue readingDisney’s “Frozen”
“Frozen” has been a great commercial success and has had a generally positive critical reception.
Continue readingInteresting vs Profound
The most entertaining stories incorporate elements that are both interesting AND have some kind of deeper meaning. All great movies have both.
Continue readingComing of Age – Power of Idealism
Why Billy Elliot and Bend It Like Beckham were such a hit with International audiences.
Continue readingChildren’s Media Conference 2014
Leading children’s media event to host Waterstones Children’s Laureate
Continue readingAronofsky’s Noah & Adaptation Challenges
Whether you liked the film or not, Noah is a great look at the adaptation process and the key elements in transforming a story from one medium to another.
Continue readingArchetype or Character Type? Wizards in Harry Potter
#TypesTuesday – There is no one way to be a wizard.
Continue readingLessons from eQunioxe Scriptwriting Workshop
The answer to this these questions provides a critical overview of the story. If they aren’t answered clearly then it doesn’t matter how good the individual scenes might be. The story won’t add up to much or hold together properly.
Continue readingAdvice from Script Lab on Scenes
#WritingAdviceWednesday – Great short tip on the key to a wonderful scene.
Continue readingChildren’s Media Conference in Sheffield UK
If you are interested in family programming The Children’s Media Conference is for you.
Continue readingForgiveness in Volver and Casablanca
Forgiveness is at the heart of two powerful movie experiences.
Continue readingPower of Conscience at the Oscars
#TypesTuesday – 2013’s awards season film featured several compelling Power of Conscience characters
Continue readingSpielberg’s Lincoln
Lincoln is beautifully cast and wonderful to look at but, for me, is more a history lesson than a personal story.
Continue reading#TypesTuesday – The Dark Knight Rises
#TypesTuesday – Nolan’s Batman trilogy is remarkably consistent in its emotional and psychological characterizations.
Continue readingBrave from Pixar – How Good is Good Enough?
“The standout characters, exciting set pieces and memorable songs that we’ve come to expect are absent. The truest advertising tagline would be, “From the studio that brought you ‘Cars 2.'”
Continue readingWhat is Power?
Different Character Types have very different views of what power is.
Continue readingBattleship
My expectations for Battleship were low, my aisle seat afforded me a quick painless getaway, and yet I stayed. I actually enjoyed the movie.
Continue readingThe Avengers
#TypesTuesday – Each Avenger is absolutely true to their Character Type.
Continue readingFilm Adaptation with Michael Ondaatje
Film (apart from the adapted novel) must become something quite distinct, with its own DNA.
Continue readingApril 2012 – Writing Lessons from Norway
Here are three key take-aways from a workshop in Norway about common issues that make a film project less effective and less emotionally compelling.
Continue readingThe Hunger Games & Twilight
#ThinkpieceThursday – The Hunger Games has great characters and a Power of Truth story structure- an unbeatable combination.
Continue readingHow to Evaluate Stories
How to Evaluate Stories is a great little guide to finding story problems and fixing them fast!
Continue readingWorkshops & Consulting in Norway
April 2012 Master Class in Bergen Norway
Continue readingExtremely Loud & Incredibly Close
Some books just don’t make good movies, Extremely Loud & Incredibly Close is a prime example.
Continue readingThe Descendants
I found the film predictable, lacking in character development, with a script that continually tells us rather than shows us.
Continue readingThe Artist
Writer-director Michael Hazanavicius is one of the rare filmmaker-artists whose pictures are worth a thousand words.
Continue readingHugo
Characters that exist to advance a plot tell us nothing about the human condition.
Continue readingAverage Is Over
#WritingAdviceWednesday – I’ve distilled everything I know about story analysis into a short eBook.
Continue readingPlot vs. Character
I believe that if you want your stories to endure, then plot must come from character and not the other way around. I have often said that storytellers are the most powerful people on earth– because they have the power to move the human heart. There is no greater power on earth. You cannot move hearts by relying on plot mechanics.
Continue readingThe Adventures of Tintin: Another Spielberg Misstep
#ThinkpieceThursday – Spielberg should know better.
Continue readingWar Horse – Spielberg Loses His Way
Steven Spielberg’s War Horse is the definition of an episodic narrative with very little character development.
Continue readingIron Lady
Meryl Streep gives a tremendous performance in IRON LADY– but the film ultimately didn’t work because it has no point of view.
Continue readingMidnight in Paris
Woody Allen’s new movie, Midnight in Paris, is his best since Hannah and Her Sisters. It’s charming, funny and life affirming in a wonderfully whimsical way. It’s a rare foray into Power of Idealism territory for Allen.
Continue readingSummer Blockbuster Roundtable
Video on writing the summer blockbuster
Continue readingGod Grew Tired of Us – Day Forty – #40movies40days
God Grew Tired Of Us chronicles the horrific journey of three young men, John Bul Dau, Daniel Pach and Panther Bior, across war-torn Sudan and finally to the United States.
Continue readingRififi – Day Thirty Nine – #40movies40days
Rififi is a 1955 French crime film that is probably the basis of every intricate heist movie you’ve ever seen
Continue readingThe Secret Life of Words – Day Thirty Eight – #40movies40days
Sarah Polley gives a mesmerizing performance as a young woman whose silence is her protection from terrors she’s seen.
Continue readingTriage – Day Thirty Seven – #40movies40days
Injured and traumatized war photographer, Mark (Colin Farrell), returns home from a photo assignment in Kurdistan. He returns alone. He professes to have been separated from his best friend Colin. Unravelling the mystery of what happened is key to his recovery.
Continue readingFrida – Day Thirty Five – #40movies40days
Julie Taymor does a wonderful job mixing the surrealism of Frida’s paintings with the story of her life. The film almost makes you feel like you are inhabiting Frida’s work.
Continue readingCity of Joy – Day Thirty Four – #40movies40days
The ability to find joy in even the most dire situations and circumstance is at the heart of this story
Continue readingHot Tub Time Machine – Day Thirty Three – #40movies40days
Hut Tub Time Machine is a raunchy but ultimately sweet tale of friendship, past regrets, second chances and how our past can haunt us.
Continue readingSaint Ralph – Day Thirty Two – #40movies40days
Saint Ralph is a slight Canadian film, but highly enjoyable. It’s whimsical, funny and features fine performances.
Continue readingDog Day Afternoon – Day Thirty One – #40movies40days
Today Dog Day Afternoon is an unabashed classic, a template by which other movies are based and a formula which is periodically tweaked and refined.
Continue readingForeign Correspondent – Day Thirty – #40movies40days
Foreign Correspondent, directed by Alfred Hitchcock, is a great complement to The Quiet American. Again, two men fighting for different sides are caught in a triangle over a girl.
Continue readingSomewhere – Day Twenty Seven – #40movies40days
Somewhere is an odd little film but I rather liked it.
Continue readingAnvil: The Story of Anvil – Day Twenty Six – #40movies40days
Anvil: The Story of Anvil is a testament to the human spirit, the passion that drives every creative person and the power of positivity and perseverance.
Continue readingDid You Hear About The Morgans – Day Twenty Five – #40movies40days
This movie demonstrates conclusively that an actor’s persona is no replacement for actual character development in a script.
Continue readingThe Mating Season – Day Twenty Four – #40movies40days
The Mating Season is a good old fashioned Power of Love story in the best sense of the word.
Continue readingThe China Syndrome – Day Nineteen – #40movies40days
The China Syndrome is a fast-paced socially conscious thriller that entertains and is surprisingly contemporary.
Continue readingThe Town – Day Eighteen – #40movies40days
Town, directed by Ben Affleck, revisits Good Will Hunting territory. It’s good solid entertainment.
Continue readingBright Star – Day Seventeen – #40movies40days
Bright Star starts a bit slowly but builds and burns with a growing intensity. The longing, the loss, the passion and the separated lovers make it a classic Power of Idealism film with two young Power of Idealism lovers.
Continue readingIn A Lonely Place – Day Sixteen – #40movies40days
This is the classic Humphrey Bogart film you’ve probably never seen. It’s director Curtis Hanson’s favorite film.
Continue readingRabbit Proof Fence – Day Fifteen – #40movies40days
The Rabbit Proof Fence is a powerful story of survival, hope and the triumph of the human spirit. Three young girls walk 1,500 miles to return to their mother and aboriginal homelands.
Continue readingArranged – Day Fourteen – #40movies40days
Arranged is the story of Rochel, an observant Orthodox Jewish woman, and Nasira, a devout Muslim woman. The two form an unlikely friendship at the public school where they both teach fourth graders.
Continue readingNothing But The Truth – Day Twelve – #40movies40days
“Nothing But the Truth” is a finely-crafted film of people and ideas. It is charged with incredible emotional urgency.
Continue readingThe Wages of Fear – Day Eleven – #40movies40days
The Wages of Fear (the French title is: Le Salaire de la Peur) is a directed by Henri-Georges Clouzot and stars a young Yves Montand. It’s a classic French thriller as fresh and contemporary today as it was the day it was made (almost 60 years ago).
Continue readingPonyo – Day Ten – #40movies40days
The film tells the story is about a curious “daughter of the sea” (Ponyo) who is rescued by a very young boy. Sosuke must promise to love Ponyo in whatever form she appears to him.
Continue readingThe Deer Hunter – Day Nine – #40movies40days
The Deer Hunter doesn’t hold up after 20+ years. Strong performances by a very young Robert De Niro, Christopher Walken and Meryl Streep are not enough to salvage the film.
Continue readingDefiance – Day Eight – #40movies40days
Defiance tells the remarkable story of Jewish Polish Partisan Fighters who survived World War II by living on the run in the forest.
Continue readingMy Dog Skip – Day Seven – #40movies40days
My Dog Skip is a great family film. It is an instant streaming film on Netflix and a worthy addition to your queue.
Continue readingBaby Face – Day Six – #40movies40days
The film is notorious for its unrelenting and unsavory look at women’s lack of power in society and commerce (except for sexual power). Baby Face was the film that finally compelled the movie studios to enforce the Hays Office production code that would, for decades, censor American movie morality.
Continue readingThe Shopworn Angel – Day Five – #40movies40days
Pettigrew’s pure honest example teaches Daisy and her boyfriend Sam the meaning of real love.
Continue readingThe Adjustment Bureau – Day Four – #40movies40 days
Much has been written about who the Adjustment Bureau is– are they angels and is the “chairman” God? Let’s look at what the bureau does– it creates a hunger in people that can be directed to fulfill the bureau’s plan.
Continue readingThe Woman in the Window – Day Three – #40movies40days
We lose our integrity bit by bit, decision by decision, one small choice at a time. Thoughts (or fears) create action. Action creates habits. Habits build (or destroy) Character. Character creates Destiny.
Continue readingDogtooth – Day Two – #40movies40days
Last night I saw Dogtooth, the 2011 Academy Award nominated Best Foreign Language Film from Greece. There’s going to be no rhyme or reason in selecting the films for my 40 movies in 40 days project. I’ve decided to go wherever the spirit leads me.
Continue readingRango and My Own Lenten Observance – #40movies40days
I’ve decided to watch 40 films in 40 days and write about them from a personal standpoint as I puzzle through how I want to be reborn on Easter morning. It will be a journey of looking at my life through the lens of movies– some contemporary and some old school– I hope you will join me.
Continue readingEmbeddable Movie Clips Coming Soon
Universal’s deal with AnyClip can make memorable scenes from “E.T.,” “Jaws” and more available by search and embeddable on Facebook or your website.
Continue readingLA Times Round Table: Directors on Direction
Six filmmakers who recently came together at the Los Angeles Times to talk about their craft have dramatically different work and directing habits.
Continue reading18 Poets Represented on Screen
For those of you rhyme-ically inclined– Here is a great listing of screen stories about poets or poetry.
Continue reading150 of Movie Great One Liners – Video
Time Magazine has compiled a montage of some of the greatest one liners in movies. Watch them here–
Continue readingThe King’s Speech
The King’s Speech is a wonderful film with brilliantly drawn Power of Conscience and Power of Idealism characters in constant tension and conflict.
Continue readingWhat is an American Film?
Howard Suber argues there is no such thing as an “American” film any more.
Continue readingOscar Nominated PDF Screenplays Here
#WritingAdviceWednesday – Raindance has posted the 2010 and 2011 Oscar-nominated screenplays for both original screenplay and adapted screenplay.
Continue readingA Bug’s Life & Revolution in the Middle East
I watched Pixar’s A Bug’s Life last night was struck by the similarities in the story to what is happening in Egypt and all around the Middle East. The film is powerful statement of “there are more of us than there are of them.”
Continue readingTHE OTHER WOMAN and Video on Demand
#ThinkpieceThursday – Eric Kohn gives an interesting take on the strengths and weakness of VOD
Continue readingThe Hollywood Kiss on Screen
On this chocolate, hearts and flowers giving day it’s important to remember every love story or buddy story or partnership story is about the exchange of gifts. Happy Valentines Day
Continue readingMcKee on 2011 Best Screenplay
Here is Robert McKee’s views on Best Screenplay and on stories based on history, fact or actual people’s lives. Like McKee, I believe that a writer’s first duty is to the emotional truth of the story, not factual accuracy. That’s why it’s FICTION.
Continue readingThe Magic of Toy Story 3
Toy Story 3 is as powerful, heartfelt, thrilling and funny as any film deserving of a “Best Picture” nomination. It has my vote to take home the 2011 Oscar in that category. It touched me in a profoundly personal way.
Continue readingCoraline
Coraline is a creepy delight to behold. The visual world of the stop-motion animated story is rich with texture, fine detail and has a wonderful handcrafted quality. The direction builds an increasingly sinister but whimsical tone. A compelling emotional journey is what is sorely lacking here.
Continue readingThe Black Swan & The Social Network
Two of the most highly acclaimed and most talked about movies of the 2011 Awards season are The Black Swan, directed by Darren Aronofsky and written by Mark Heyman, Andres Heinz and John J. McLaughlin and The Social Network Directed by David Fincher and written Aaron Sorkin adapted from a book by Ben Mezrich. Both are Power of Reason films with Power of Reason protagonists.
Continue readingTony Curtis – Power of Ambition
Tony Curtis passed away at the end of September 2010. Here is what Time Magazine has to say about one of the roles that defined him as an actor, Sidney Falco in The Sweet Smell of Success. It is a stunning example of a Power of Ambition protagonist falling to the Dark Side.
(In the film) Sidney Falco, Broadway publicist, is telling his secretary Sam how far he wants his ambitions to take him: “Way up high, Sam, where it’s always balmy. Where no one snaps his fingers and says, ‘Hey, Shrimp, rack the balls!’ Or, ‘Hey, mouse, mouse, go out and buy me a pack of butts.’ I don’t want tips from the kitty. I’m in the big game with the big players. My experience I can give you in a nutshell, and I didn’t dream it in a dream, either. Dog Eat Dog. In brief, from now on, the best of everything is good enough for me.”
An actor doesn’t often get a role that upends his Hollywood image and reveals his inner demons. Tony Curtis, who died Wednesday at 85 of cardiac arrest at his home near Las Vegas, found that dream-nightmare part in the 1957 Sweet Smell of Success. Sidney Falco, a name that replaced Sammy Glick as the slick nogoodnik par excellence, is a pretty boy on the make — all hustle, no morals, and with a line of patter like petty larceny…
…Another refugee from the New York streets, and one of the first postwar actors to produce his own movies, (Burt) Lancaster … cast him in Sweet Smell as Sidney, the publicist trying to get his clients’ items in the gossip column written by Lancaster’s J.J. Hunsecker.
In the script, by Ernest Lehman and Clifford Odets, Sidney’s status floats between villain and victim — he peddles flesh and secrets, and pins the Commie label on an innocent young musician, before getting climactically framed by J.J. — but (actor) Curtis was the victor in the movie. It’s easy to imagine that, that when the actor first read this script, he thought exultantly, “That’s me all over!” A shark in the Broadway aquarium, Sidney looked like a million bucks, all counterfeit. FULL ARTICLE HERE
A character driven by the Power of Ambition can be a hardworking, eager, charming optimist with a “can-do” spirit— or a lying, manipulative, backstabbing striver who will do anything to get ahead in life.
The definition and meaning of “success” is at the heart of a Power of Ambition character’s story. The basic question for this character’s emotional journey is: “What does it profit a person to win the whole world but lose his or her own soul?”
That what we watch Sidney Falco do, lose his soul, over the course of The Sweet Smell of Success. It is a film well worth watching and a master course in the Power of Ambition Character Type.
Bugs Bunny – Power of Excitement
#TypesTuesday – Bugs Bunny is a Power of Excitement character
Continue readingThe Princess and The Frog
The Princess and the Frog is the best romantic comedy of the last couple of years. It hits three of the most important emotional beats that make Romantic Comedies so emotionally satisfying.
Continue readingBest & Worst Thriller Adaptations
Sleepers author Lorenzo Carcaterra choses the 10 best thriller films made from books, the 10 worst, and the 10 he most wants to see get made.
Continue readingPrince of Persia
Character lessons from Prince of Persia: The Sands of Time– Here are the key points of what to avoid in writing an action adventure film.
Continue readingTerrible Romantic Comedies
This is a great piece by Moviefone. What are your worst of the worst 25 Rom Coms?
When the Moviefone staff started trying to name the worst romantic comedies of all time, the discussion quickly got heated. Is ‘The Sweetest Thing’ a crass, tasteless mess or an underrated gem? What’s worse, ‘Swept Away’ or ‘Who’s That Girl?’ Which is the worst Freddie Prinze, Jr. rom-com of all time? And are we remiss not to have a single Lindsay Lohan vehicle make the final cut?
We’re sure you’ll have your own strong reaction to our list, especially if you worship Kate Hudson and Dane Cook. (Note to Hollywood: That is not a suggestion to pair these two up. Thank you.)
Don’t get us wrong, when rom-coms are great, they’re great, but more often than not these days, they’re very, very bad. We have to take it on faith that Female Star and Male Star are destined to be together because the script says so, not because they have anything resembling chemistry. We have to endure ridiculous set-ups, annoying characters and, ever since ‘There’s Something About Mary,’ new heights (or rather, lows) in gross-out humor. Can we get a little actual romance here? And maybe a few laughs that aren’t because we’re cringing in horror?
Get the full list of 25 on the Moviefone website: http://insidemovies.moviefone.com/2010/02/09/worst-romantic-comedies/
Two Oscar Contenders – Up In The Air and The Hurt Locker
Two of the most talked about characters in Oscar-nominated pictures this year are emotionally damaged men deployed to handle bombs in people’s lives. Their approaches to this assignment are very different.
Continue readingRomantic Comedy Pitfalls – Recent Films
The three highest grossing Romantic Comedies in 2009 were The Proposal (Sandra Bullock & Ryan Reynolds) It’s Complicated (Meryl Streep & Alec Baldwin) and The Ugly Truth (Katherin Heigl & Gerard Butler). Despite some terrific performances each movie manages to stumble into more than one of the RomCom Pitfalls.
Continue readingSupermarket To Offer Original Films
It’s not too unusual these days to find DVDs for sale in supermarket chains. But how about a supermarket chain that actually creates and produces its own movies that are available only at its respective stores?
Continue readingAvatar – Controversy Rages
As Avatar moves closer to breaking Titantic’s number one place in box office history, controversy has raged in the press and elsewhere about the film, about what James Cameron was trying to say, about the supposed underlying political, social or moral agendas at work in the film and generally about what the film means and why it is so popular. Here are some interesting links.
Continue readingTrapped as an Enduring Film Theme
Dr. Howard Suber, author of The Power of Film, says that the majority of all great films could be titled “Trapped.” Here he talks on a panel at the United States Holocaust Memorial Museum about the enduring interest in Holocaust films, illustrating that theme
Continue readingThe Limits of Imagination
Their challenge as leaders is to step forward decisively and make the hard potentially divisive decision on their own.
Continue readingBiggest Sleeper Hits of the Decade
Here’s a list of the biggest sleeper hits of the last ten years. What patterns do we see? Only two could be classified as drama, and both feature foreign locales and are about foreign nationals. Two are documentaries (one is a comedic practical joke video). Four are comedies. And two are horror films.
Continue readingNancy Meyers – It’s Complicated
PART AND PARCEL of her uniqueness is Nancy Meyers’s focus on making films that both feature and speak to middle-aged women, a demographic that studios traditionally ignore.
Continue readingInvictus – Power of Conscience
The excellent film, Invictus, starring Morgan Freeman as Nelson Mandela is a great study in Power of Conscience leadership.
Continue reading2009 Spec Script Figures
For those of you figuring the odds of making a spec script sale (or trying to allocate your time toward what would be most productive in your career)— here is an unscientific wrap-up of the market from Jason Scoggins, a partner at the literary management and production company Protocol.
Continue readingTarantino’s Top 2009 Movie Picks
Quinten Tarantino, leaving his film Inglourious Basterds out of the mix, lists his favorite films of 2009. Not necessarily my choices but interesting never the less.
Continue readingOther Internet Success Storied
#ThinkpieceThursday – Studios are increasingly out of the loop when it comes to discovering new talent.
Continue readingMake a Plan
Managing our time needs to become a ritual too. Not simply a list or a vague sense of our priorities. That’s not consistent or deliberate. It needs to be an ongoing process we follow no matter what to keep us focused on our priorities throughout the day.
Continue readingA European Observation about American Film
There are interesting reasons for the global dominance of American movies. Here a couple of observations from Europe via movieScope Magazine.
Continue readingBill Mechanic’s Speech on Indie Film
Bill Mechanic’s speech about the Business of the Business producing films.
Continue readingThe Informant! – Power of Ambition
Matt Damon plays a pitch perfect Power of Ambition protagonist. A close movie comparison would be to Damon’s The Talented Mr. Ripley, another movie that explores dark and twisted side of the Power of Ambition character.
Continue readingVulnerability Scenes
Everyone who has heard me speak or teach knows how fundamental vulnerability is to making a movie or television show memorable. The way an audience BONDS with a character is through scenes where the character is vulnerable. Here are some of my favorites– what are yours?
Continue readingThe Cynic’s Guide to Film and Literary Criticism
The tired and jaded view. It’s actually quite funny– and often true!
Continue readingTaking Woodstock – Bummer
The 40th anniversary of Woodstock, which took place from August 15 to August 18, 1969 is being marked forty years and eight days later by the release of Ang Lee’s Taking Woodstock. Reviews are not quite groovy. I concur.
Continue readingThe Queen – Power of Conscience
The Queen, written by Peter Morgan, directed by Stephen Frears and starring Helen Mirren and Michael Sheen, is a pitch perfect Power of Conscience character study.
Continue readingJohn Hughes – Power of Idealism
John Hughes passed away today. Molly Ringwald represented John Hughes’ romantic ideal of the artist as misfit, sensitive and misunderstood, aspiring to wider acceptance but reluctant to compromise too much.
Continue readingPelham 123 and Duplicity – Unsatisfying Endings
The endings of The Taking of Pelham 123 and Duplicity left me shrugging and saying “Huh?” Both were box office duds. The lesson from both films is “earn your ending.”
Continue readingLand of The Lost – Power of Reason
#TypesTuesday – Any character, regardless of type, can be an idiot or a genius.
Continue readingTerminator Salvation vs Star Trek – What Is Fair?
Different Character Types view philosophical concepts like fairness, love and social or personal responsibility very differently. They each have very distinct ideas about how the world works and very specific ideas about what is owed to the self and to others.
Continue readingTerminator Salvation – Idealism vs. Conscience
Terminator Salvation is a solid satisfying summer hit. It’s also a great illustration of the difference between a Power of Idealism character, Marcus Wright (played by Sam Worthington) and a Power of Conscience character, John Connor (played by Christian Bale). Although both men (and both Character Types) are honorable, how each views honor is different. Each man’s emotional journey therefore is distinct.
We first meet a morose Marcus Wright on death row. Dr Serena Kogan (played by Helena Bonham Carter), a researcher who is dying of cancer, makes a passionate appeal to him to be part of a larger project or greater vision. Marcus agrees to “sell” his body to science for a kiss. He kisses Dr. Kogan deeply and says, “So that’s what death tastes like.” This doomed romantic moment is exactly what appeals to and defines a Power of Idealism character.
When Marcus awakes decades later, he finds himself in a post-apocalyptic world overrun by a vicious, relentless, red-eyed mechanical army churning through the remains of human-kind. Marcus begins a long tortuous journey to discover who and what he is and how he fits into this horrifying new world.
Power of Idealism characters are most deeply concerned about authenticity, personal identity and the individual vs. society. These characters strive to find their place in the world— Who am I and where do I fit in?— while being acknowledged as unique, special and one-of-a-kind.
When Marcus discovers his extraordinary but horrific nature, he rebels. Dr. Kogan tells him he was designed for a unique purpose and that there is only one of him. He is indeed one-of-a-kind. Marcus refuses to be defined by his circumstance or situation. He will not submit to a larger crushing authority or an inescapable technological imperative. He will define himself.
In true Power of Idealism fashion, Marcus defines himself and becomes the stuff of legend through sacrifice. What makes him human is his heart— both metaphorically and literally. He sacrifices his heart so that the Resistance might live. It reminded me of one of the Psalms: “I am poured out like water, And all my bones are out of joint; My heart is like wax; It is melted within me.” Marcus Wright’s heart melts and he pours his life into John Connor and the hope of the Resistance.
We meet John Connor as the voice and moral authority of those fighting against the machines. At the climax of the movie, the larger Resistance leadership argues to strike a death blow against Skynet when Skynet’s defenses are down. John refuses to do so because such an attack would result in the deaths of masses of human prisoners trapped inside Skynet’s fortress city. John argues that if the Resistance fights with the same cold calculation as the machines– they are no better than machines.
Power of Conscience characters are most deeply concerned about rightness, fairness and the higher duty involved in anything they do. Although he wants desperately to end the war, John is not willing to do so at the expense of what he believes is mankind’s higher value of respecting human life. No one is expendable. All human life is precious. He tells those under his command to stand down. They respect John’s moral vision and choose to obey.
Power of Conscience characters believe they are their brother’s keeper. They feel responsible for the greater good and for doing good. These characters wrestle with how far they should go in seeking justice and fairness for others or in standing up against evil. They worry about and struggle with what is the higher duty and what exactly is required of them in response.
Star Trek 2009 – Spot On Character Types
The big summer hit, Star Trek, is a great opportunity to see the Character Types in action. Character consistency is a crucial reason why the film has played so well with new audiences and long-time fans of the venerable franchise.
Continue readingNew In Town – Credibility Problem
The lesson here is make the world real. Keep your character credible or they won’t connect emotionally. Treat everyone in the film as a real live three-dimensional human being.
Continue readingJohn Updike – Novel to Movie Adaptations
When looking for a novel to adapt, look for a story that has a strong external narrative. Find a story in which a character’s actions lead to specific external consequences with real impact and which effect important transformation in the character or others.
Continue readingThe Reader – Power of Idealism
Memory, loss and disillusionment are all part of a Power of Idealism Coming of Age Story. The Academy Award nominated film The Reader taps into the powerful resonance of this kind of story.
Continue readingTop Ten Political Movies
In 2008, Entertainment Weekly set out to identify some of the best-loved political films of all time. Here are the top 10 picks, with each film’s primary star.
Continue readingRevolutionary Road – Power of Idealism
The film Revolutionary Road tells the story of Frank and April Wheeler (Leonardo DiCaprio and Kate Winslet), two Power of Idealism characters who feel trapped in the bonds of a mundane suburban lifestyle.
Continue readingDoubt – Truth vs Conscience
The movie Doubt, written and directed by John Patrick Shanley, has an emotional disconnect at its core– in the most unsuccessful sense of the word
Continue readingMilk – Lack of Internal Conflict
Milk features standout performances and worthy subject matter of real historical significance. The film, however, is severely lacking in story on several accounts. Too much backstory compromises the emotional power of the film.
Continue readingThe Wrestler – Power of Idealism
Randy’s tragedy is he finds magic only in the empty choreographed illusions of the ring. He compulsively plays the spray-tanned bleached blond hero to dwindling numbers of cheering strangers.
Continue readingDavid Frost & Richard Nixon – Power of Ambition
Frost/Nixon is an epic battle between two Power of Ambition characters.
Continue readingCreating a New Character – Fear
It’s important to look at the ways the character is most worried about failing others and becoming unloved or unlovable. This often is traceable back to the character’s own childhood fears. These early fears powerfully stay with us and color our adult lives.
Continue readingComing of Age Films and Power of Idealism
#WritingAdviceWednesday – Coming of Age films, as I define them, are Power of Idealism films.
Continue readingSecond Hand Wedding
As a frequent flyer on Air New Zealand I have the opportunity to see regional films that don’t ever make it to the US in wide distribution. My favorite film this trip was the delightful and heartwarming Second Hand Wedding. It’s everything one would want in comedy.
Continue readingValues at Stake – Film
The obstacles in a film or television series should create the kind of risk, peril or danger that pushes the character to take actions that define what is most fundamentally important or true in a character’s life.
Continue readingValues at Stake – Televison
A character should be forced to make a stark, definitive and active choice. As one value is ultimately chosen, the character finally negates or surrenders the other contrasting value. What price is paid for the character’s choice?
Continue readingEmotional Status Quo
Too often characters seem to have emotional amnesia, especially when off stage for a couple of scenes. What’s a character’s emotional status quo? It’s the emotional temperature of the character when he or she enters a scene.
Continue readingWhat Happens in Vegas
This film is a high-spirited Romantic Comedy romp that is a really enjoyable surprise. It has its flaws, particularly in its rather pat ending is well worth seeing.
Continue readingRevolutionary or Rebel Part Two
#TypesTuesday – In order to have real power, a story and a character must have a single clear emotional focus.
Continue readingRevolutionary or Rebel
#MondayMusings – Rebels are opportunistic, but Revolutionaries strive for change
Continue readingWall-E – Getting to the Essence of Things
In a few seconds the audience (or executive in a pitch session) should be able to get the essential core of your story and character. One of my favorite quotes is by Albert Einstein: “If you can’t say it simply and briefly you probably don’t understand it well enough.”
Continue readingThe Dark Knight & Emotional Content
The Dark Knight is a classic example of the Emotional Toolbox premise that– “In the battle between reason (plot) and emotion (connection), emotion ALWAYS wins.”
Continue readingThe Dark Knight & The Power of Truth
In a Power of Truth film things are never what they seem. None of the major characters in The Dark Knight are what they seem at first glance. The tangled undergrowth of human duplicity catches and pulls at every character in the film.
Continue readingThe Dark Knight – Alfred & The Power of Love
A character driven by the Power of Love is often someone who tirelessly pushes another forward in a story. These characters— often soft-spoken, gentle and compliant on the outside— are made of strong, even steely, stuff on the inside. They believe the best place to be is the “power behind the throne.” All these qualities are very evident with Alfred.
Continue readingThe Dark Knight – Two Face & the Power of Conscience
Harvey Dent’s moral condemnation of crime fuels him to clean up Gotham and make it safe for ordinary citizens. He is a vigilant prosecutor of evil. After he is burned and Rachel dies, Dent moves toward his Dark Side and becomes Two Face, a twisted vigilante and self-appointed judge, jury and executioner.
Continue readingMamma Mia: We Need To Laugh!
#ThinkpieceThursday – This might be an ideal time to sell a comedy.
Continue readingThe Dark Knight, The Joker and Dr. Hunter S. Thompson – Power of Excitement
Two characters and films that explore the Dark Side of this Character Type: Gonzo: The Life and Work of Dr. Hunter S. Thompson and The Joker (brilliantly played by Heath Ledger) in Dark Knight . Each is a great look at the underbelly of this fascinating Character Type.
Continue readingCasino Royale – Power of Reason
Screenwriters Neal Purvis & Robert Wade and Paul Haggis move James Bond into the next phase of 007’s life in the excellent film, Casino Royale. It is a great example of how to transition a character.
Continue readingSteven Spielberg’s The Terminal
Tom Hanks, playing Vicktor Novorski, is the film’s star and occupies most of the screen time. Unfortunately, Vicktor is not the protagonist of the film. Neither the biggest emotional journey nor the emotional climax of the film belongs to Hanks. This a fatal flaw from which the film never recovers.
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