#ThinkpieceThursday – Whistleblowers

Captain America

#ThinkpieceThursday – Whistleblowers are Power of Conscience characters

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#MondayMusings – 2017 Review

#MondayMusings – My review of the year

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Lessons from eQunioxe Scriptwriting Workshop

The answer to this these questions provides a critical overview of the story. If they aren’t answered clearly then it doesn’t matter how good the individual scenes might be. The story won’t add up to much or hold together properly.

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Plot vs. Character

I believe that if you want your stories to endure, then plot must come from character and not the other way around. I have often said that storytellers are the most powerful people on earth– because they have the power to move the human heart. There is no greater power on earth. You cannot move hearts by relying on plot mechanics.

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Triage – Day Thirty Seven – #40movies40days

Injured and traumatized war photographer, Mark (Colin Farrell), returns home from a photo assignment in Kurdistan. He returns alone. He professes to have been separated from his best friend Colin. Unravelling the mystery of what happened is key to his recovery.

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Foreign Correspondent – Day Thirty – #40movies40days

Foreign Correspondent, directed by Alfred Hitchcock, is a great complement to The Quiet American. Again, two men fighting for different sides are caught in a triangle over a girl.

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Rabbit Proof Fence – Day Fifteen – #40movies40days

The Rabbit Proof Fence is a powerful story of survival, hope and the triumph of the human spirit. Three young girls walk 1,500 miles to return to their mother and aboriginal homelands.

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The Wages of Fear – Day Eleven – #40movies40days

The Wages of Fear (the French title is: Le Salaire de la Peur) is a directed by Henri-Georges Clouzot and stars a young Yves Montand. It’s a classic French thriller as fresh and contemporary today as it was the day it was made (almost 60 years ago).

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Baby Face – Day Six – #40movies40days

The film is notorious for its unrelenting and unsavory look at women’s lack of power in society and commerce (except for sexual power). Baby Face was the film that finally compelled the movie studios to enforce the Hays Office production code that would, for decades, censor American movie morality.

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The Adjustment Bureau – Day Four – #40movies40 days

Much has been written about who the Adjustment Bureau is– are they angels and is the “chairman” God? Let’s look at what the bureau does– it creates a hunger in people that can be directed to fulfill the bureau’s plan.

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The Woman in the Window – Day Three – #40movies40days

We lose our integrity bit by bit, decision by decision, one small choice at a time. Thoughts (or fears) create action. Action creates habits. Habits build (or destroy) Character. Character creates Destiny.

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Dogtooth – Day Two – #40movies40days

Last night I saw Dogtooth, the 2011 Academy Award nominated Best Foreign Language Film from Greece. There’s going to be no rhyme or reason in selecting the films for my 40 movies in 40 days project. I’ve decided to go wherever the spirit leads me.

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Rango and My Own Lenten Observance – #40movies40days

I’ve decided to watch 40 films in 40 days and write about them from a personal standpoint as I puzzle through how I want to be reborn on Easter morning. It will be a journey of looking at my life through the lens of movies– some contemporary and some old school– I hope you will join me.

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A Bug’s Life & Revolution in the Middle East

I watched Pixar’s A Bug’s Life last night was struck by the similarities in the story to what is happening in Egypt and all around the Middle East. The film is powerful statement of “there are more of us than there are of them.”

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McKee on 2011 Best Screenplay

Here is Robert McKee’s views on Best Screenplay and on stories based on history, fact or actual people’s lives. Like McKee, I believe that a writer’s first duty is to the emotional truth of the story, not factual accuracy. That’s why it’s FICTION.

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The Magic of Toy Story 3

Toy Story 3 is as powerful, heartfelt, thrilling and funny as any film deserving of a “Best Picture” nomination. It has my vote to take home the 2011 Oscar in that category. It touched me in a profoundly personal way.

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Coraline

Coraline is a creepy delight to behold. The visual world of the stop-motion animated story is rich with texture, fine detail and has a wonderful handcrafted quality. The direction builds an increasingly sinister but whimsical tone. A compelling emotional journey is what is sorely lacking here.

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The Black Swan & The Social Network

Two of the most highly acclaimed and most talked about movies of the 2011 Awards season are The Black Swan, directed by Darren Aronofsky and written by Mark Heyman, Andres Heinz and John J. McLaughlin and The Social Network Directed by David Fincher and written Aaron Sorkin adapted from a book by Ben Mezrich. Both are Power of Reason films with Power of Reason protagonists.

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Tony Curtis – Power of Ambition

Sidney Falco in 21Tony Curtis passed away at the end of September 2010.  Here is what Time Magazine has to say about one of the roles that defined him as an actor, Sidney Falco in The Sweet Smell of Success.  It is a stunning example of a Power of Ambition protagonist falling to the Dark Side.

(In the film) Sidney Falco, Broadway publicist, is telling his secretary Sam how far he wants his ambitions to take him: “Way up high, Sam, where it’s always balmy. Where no one snaps his fingers and says, ‘Hey, Shrimp, rack the balls!’ Or, ‘Hey, mouse, mouse, go out and buy me a pack of butts.’ I don’t want tips from the kitty. I’m in the big game with the big players. My experience I can give you in a nutshell, and I didn’t dream it in a dream, either. Dog Eat Dog. In brief, from now on, the best of everything is good enough for me.”

An actor doesn’t often get a role that upends his Hollywood image and reveals his inner demons. Tony Curtis, who died Wednesday at 85 of cardiac arrest at his home near Las Vegas, found that dream-nightmare part in the 1957 Sweet Smell of Success. Sidney Falco, a name that replaced Sammy Glick as the slick nogoodnik par excellence, is a pretty boy on the make — all hustle, no morals, and with a line of patter like petty larceny…

…Another refugee from the New York streets, and one of the first postwar actors to produce his own movies, (Burt) Lancaster … cast him in Sweet Smell as Sidney, the publicist trying to get his clients’ items in the gossip column written by Lancaster’s J.J. Hunsecker.

In the script, by Ernest Lehman and Clifford Odets, Sidney’s status floats between villain and victim — he peddles flesh and secrets, and pins the Commie label on an innocent young musician, before getting climactically framed by J.J. — but (actor) Curtis was the victor in the movie. It’s easy to imagine that, that when the actor first read this script, he thought exultantly, “That’s me all over!” A shark in the Broadway aquarium, Sidney looked like a million bucks, all counterfeit.  FULL ARTICLE HERE

A character driven by the Power of Ambition can be a hardworking, eager, charming optimist with a “can-do” spirit— or a lying, manipulative, backstabbing striver who will do anything to get ahead in life.

The definition and meaning of “success” is at the heart of a Power of Ambition character’s story.  The basic question for this character’s emotional journey is: “What does it profit a person to win the whole world but lose his or her own soul?”

That what we watch Sidney Falco do, lose his soul, over the course of The Sweet Smell of Success.  It is a film well worth watching and a master course in the Power of Ambition Character Type.

Terrible Romantic Comedies

rumor-has-it-aniston-150a020310-fpThis is a great piece by Moviefone.  What are your worst of the worst 25 Rom Coms?

When the Moviefone staff started trying to name the worst romantic comedies of all time, the discussion quickly got heated. Is ‘The Sweetest Thing’ a crass, tasteless mess or an underrated gem? What’s worse, ‘Swept Away’ or ‘Who’s That Girl?’ Which is the worst Freddie Prinze, Jr. rom-com of all time? And are we remiss not to have a single Lindsay Lohan vehicle make the final cut?
We’re sure you’ll have your own strong reaction to our list, especially if you worship Kate Hudson and Dane Cook. (Note to Hollywood: That is not a suggestion to pair these two up. Thank you.)
Don’t get us wrong, when rom-coms are great, they’re great, but more often than not these days, they’re very, very bad. We have to take it on faith that Female Star and Male Star are destined to be together because the script says so, not because they have anything resembling chemistry. We have to endure ridiculous set-ups, annoying characters and, ever since ‘There’s Something About Mary,’ new heights (or rather, lows) in gross-out humor. Can we get a little actual romance here? And maybe a few laughs that aren’t because we’re cringing in horror?

When the Moviefone staff started trying to name the worst romantic comedies of all time, the discussion quickly got heated. Is ‘The Sweetest Thing’ a crass, tasteless mess or an underrated gem? What’s worse, ‘Swept Away’ or ‘Who’s That Girl?’ Which is the worst Freddie Prinze, Jr. rom-com of all time? And are we remiss not to have a single Lindsay Lohan vehicle make the final cut?

We’re sure you’ll have your own strong reaction to our list, especially if you worship Kate Hudson and Dane Cook. (Note to Hollywood: That is not a suggestion to pair these two up. Thank you.)

Don’t get us wrong, when rom-coms are great, they’re great, but more often than not these days, they’re very, very bad. We have to take it on faith that Female Star and Male Star are destined to be together because the script says so, not because they have anything resembling chemistry. We have to endure ridiculous set-ups, annoying characters and, ever since ‘There’s Something About Mary,’ new heights (or rather, lows) in gross-out humor. Can we get a little actual romance here? And maybe a few laughs that aren’t because we’re cringing in horror?

Get the full list of 25 on the Moviefone website:  http://insidemovies.moviefone.com/2010/02/09/worst-romantic-comedies/

Two Oscar Contenders – Up In The Air and The Hurt Locker

Two of the most talked about characters in Oscar-nominated pictures this year are emotionally damaged men deployed to handle bombs in people’s lives. Their approaches to this assignment are very different.

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Romantic Comedy Pitfalls – Recent Films

The three highest grossing Romantic Comedies in 2009 were The Proposal (Sandra Bullock & Ryan Reynolds) It’s Complicated (Meryl Streep & Alec Baldwin) and The Ugly Truth (Katherin Heigl & Gerard Butler). Despite some terrific performances each movie manages to stumble into more than one of the RomCom Pitfalls.

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Avatar – Controversy Rages

As Avatar moves closer to breaking Titantic’s number one place in box office history, controversy has raged in the press and elsewhere about the film, about what James Cameron was trying to say, about the supposed underlying political, social or moral agendas at work in the film and generally about what the film means and why it is so popular. Here are some interesting links.

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Trapped as an Enduring Film Theme

Dr. Howard Suber, author of The Power of Film, says that the majority of all great films could be titled “Trapped.” Here he talks on a panel at the United States Holocaust Memorial Museum about the enduring interest in Holocaust films, illustrating that theme

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Biggest Sleeper Hits of the Decade

Here’s a list of the biggest sleeper hits of the last ten years. What patterns do we see? Only two could be classified as drama, and both feature foreign locales and are about foreign nationals. Two are documentaries (one is a comedic practical joke video). Four are comedies. And two are horror films.

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2009 Spec Script Figures

For those of you figuring the odds of making a spec script sale (or trying to allocate your time toward what would be most productive in your career)— here is an unscientific wrap-up of the market from Jason Scoggins, a partner at the literary management and production company Protocol.

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Make a Plan

Managing our time needs to become a ritual too. Not simply a list or a vague sense of our priorities. That’s not consistent or deliberate. It needs to be an ongoing process we follow no matter what to keep us focused on our priorities throughout the day.

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The Informant! – Power of Ambition

Matt Damon plays a pitch perfect Power of Ambition protagonist. A close movie comparison would be to Damon’s The Talented Mr. Ripley, another movie that explores dark and twisted side of the Power of Ambition character.

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Vulnerability Scenes

Everyone who has heard me speak or teach knows how fundamental vulnerability is to making a movie or television show memorable. The way an audience BONDS with a character is through scenes where the character is vulnerable. Here are some of my favorites– what are yours?

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John Hughes – Power of Idealism

John Hughes passed away today. Molly Ringwald represented John Hughes’ romantic ideal of the artist as misfit, sensitive and misunderstood, aspiring to wider acceptance but reluctant to compromise too much.

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Pelham 123 and Duplicity – Unsatisfying Endings

The endings of The Taking of Pelham 123 and Duplicity left me shrugging and saying “Huh?” Both were box office duds. The lesson from both films is “earn your ending.”

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Terminator Salvation vs Star Trek – What Is Fair?

Different Character Types view philosophical concepts like fairness, love and social or personal responsibility very differently. They each have very distinct ideas about how the world works and very specific ideas about what is owed to the self and to others.

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Terminator Salvation – Idealism vs. Conscience

terminator-salvation-etbscreenwritingTerminator Salvation is a solid satisfying summer hit. It’s also a great illustration of the difference between a Power of Idealism character, Marcus Wright (played by Sam Worthington) and a Power of Conscience character, John Connor (played by Christian Bale). Although both men (and both Character Types) are honorable, how each views honor is different. Each man’s emotional journey therefore is distinct.

We first meet a morose Marcus Wright on death row. Dr Serena Kogan (played by Helena Bonham Carter), a researcher who is dying of cancer, makes a passionate appeal to him to be part of a larger project or greater vision. Marcus agrees to “sell” his body to science for a kiss. He kisses Dr. Kogan deeply and says, “So that’s what death tastes like.” This doomed romantic moment is exactly what appeals to and defines a Power of Idealism character.

When Marcus awakes decades later, he finds himself in a post-apocalyptic world overrun by a vicious, relentless, red-eyed mechanical army churning through the remains of human-kind. Marcus begins a long tortuous journey to discover who and what he is and how he fits into this horrifying new world.

Power of Idealism ETB ScreenwritingPower of Idealism characters are most deeply concerned about authenticity, personal identity and the individual vs. society. These characters strive to find their place in the world— Who am I and where do I fit in?— while being acknowledged as unique, special and one-of-a-kind.

When Marcus discovers his extraordinary but horrific nature, he rebels. Dr. Kogan tells him he was designed for a unique purpose and that there is only one of him. He is indeed one-of-a-kind. Marcus refuses to be defined by his circumstance or situation. He will not submit to a larger crushing authority or an inescapable technological imperative. He will define himself.

In true Power of Idealism fashion, Marcus defines himself and becomes the stuff of legend through sacrifice. What makes him human is his heart— both metaphorically and literally. He sacrifices his heart so that the Resistance might live. It reminded me of one of the Psalms: “I am poured out like water, And all my bones are out of joint; My heart is like wax; It is melted within me.” Marcus Wright’s heart melts and he pours his life into John Connor and the hope of the Resistance.

We meet John Connor as the voice and moral authority of those fighting against the machines. At the climax of the movie, the larger Resistance leadership argues to strike a death blow against Skynet when Skynet’s defenses are down. John refuses to do so because such an attack would result in the deaths of masses of human prisoners trapped inside Skynet’s fortress city. John argues that if the Resistance fights with the same cold calculation as the machines– they are no better than machines.

Power of Conscience ETB ScreenwritingPower of Conscience characters are most deeply concerned about rightness, fairness and the higher duty involved in anything they do. Although he wants desperately to end the war, John is not willing to do so at the expense of what he believes is mankind’s higher value of respecting human life. No one is expendable. All human life is precious. He tells those under his command to stand down. They respect John’s moral vision and choose to obey.

Power of Conscience characters believe they are their brother’s keeper. They feel responsible for the greater good and for doing good. These characters wrestle with how far they should go in seeking justice and fairness for others or in standing up against evil. They worry about and struggle with what is the higher duty and what exactly is required of them in response.

Star Trek 2009 – Spot On Character Types

The big summer hit, Star Trek, is a great opportunity to see the Character Types in action. Character consistency is a crucial reason why the film has played so well with new audiences and long-time fans of the venerable franchise.

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John Updike – Novel to Movie Adaptations

When looking for a novel to adapt, look for a story that has a strong external narrative. Find a story in which a character’s actions lead to specific external consequences with real impact and which effect important transformation in the character or others.

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Top Ten Political Movies

In 2008, Entertainment Weekly set out to identify some of the best-loved political films of all time. Here are the top 10 picks, with each film’s primary star.

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Revolutionary Road – Power of Idealism

The film Revolutionary Road tells the story of Frank and April Wheeler (Leonardo DiCaprio and Kate Winslet), two Power of Idealism characters who feel trapped in the bonds of a mundane suburban lifestyle.

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The Wrestler – Power of Idealism

Randy’s tragedy is he finds magic only in the empty choreographed illusions of the ring. He compulsively plays the spray-tanned bleached blond hero to dwindling numbers of cheering strangers.

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Creating a New Character – Fear

It’s important to look at the ways the character is most worried about failing others and becoming unloved or unlovable. This often is traceable back to the character’s own childhood fears. These early fears powerfully stay with us and color our adult lives.

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Wall-E – Getting to the Essence of Things

In a few seconds the audience (or executive in a pitch session) should be able to get the essential core of your story and character. One of my favorite quotes is by Albert Einstein: “If you can’t say it simply and briefly you probably don’t understand it well enough.”

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The Dark Knight & The Power of Truth

In a Power of Truth film things are never what they seem. None of the major characters in The Dark Knight are what they seem at first glance. The tangled undergrowth of human duplicity catches and pulls at every character in the film.

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The Dark Knight – Alfred & The Power of Love

A character driven by the Power of Love is often someone who tirelessly pushes another forward in a story. These characters— often soft-spoken, gentle and compliant on the outside— are made of strong, even steely, stuff on the inside. They believe the best place to be is the “power behind the throne.” All these qualities are very evident with Alfred.

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The Dark Knight – Two Face & the Power of Conscience

Harvey Dent’s moral condemnation of crime fuels him to clean up Gotham and make it safe for ordinary citizens. He is a vigilant prosecutor of evil. After he is burned and Rachel dies, Dent moves toward his Dark Side and becomes Two Face, a twisted vigilante and self-appointed judge, jury and executioner.

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The Dark Knight, The Joker and Dr. Hunter S. Thompson – Power of Excitement

Two characters and films that explore the Dark Side of this Character Type: Gonzo: The Life and Work of Dr. Hunter S. Thompson and The Joker (brilliantly played by Heath Ledger) in Dark Knight . Each is a great look at the underbelly of this fascinating Character Type.

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